About Six Lines

Six Lines is an I-Ching reference and Chinese almanac for iOS, created by Augustin Chan at Digital Rain Studios. I built it because existing tools either oversimplify the tradition or bury it under mystical aesthetics. The I-Ching deserves a serious reference tool — one grounded in classical scholarship, not pop divination.

The almanac evaluates days per-activity with transparent reasoning from the 1739 imperial Xieji Bianfang Shu (協紀辨方書) — the most rigorous editorial project in the history of Chinese date selection. I studied traditional Plum Blossom Numerology methods and the King Wen sequence to design a tool that respects the source material. Development is heavily AI-assisted, with AI used for research, translation verification, and code — but every editorial decision about the classical texts is mine.

The app includes all 64 hexagrams with original interpretive essays connecting hexagrams to classical art and literature, character-by-character Hatcher Matrix translations for deep study, and the complete Jiao Yanshou Forest of Changes (焦氏易林) — 4,096 poetic verses, each illustrated with original Chinese ink brush artwork commissioned for Six Lines.

The Liu Yao (六爻) structural analysis module provides the six-line analytical framework that professional Chinese practitioners actually use: najia branch mapping, Six Relatives, useful spirit identification, and Five Element dynamics.

Six Lines has two guides. Gua provides deep consultation grounded in classical scholarship — honest when hexagrams are severe. Yao runs entirely on your device for private line study and translation. Both follow the source texts.

I believe divination software should be contemplative, not extractive. Six Lines collects no personal data, runs core features on-device, and is designed with the same care I give to the tradition itself: Goudy Old Style typography, a warm ivory palette, and generous whitespace.

How This Site Is Made

The articles, verse commentaries, and design on this site are produced with AI assistance (Claude Opus 4.6) under my editorial direction. I steer the research, validate the scholarship against classical sources, and shape every piece. The AI doesn't work autonomously — it works under close editorial supervision on a tradition I've studied for years.

The toolchain is open source. Writing, verse commentary, image prompt composition, and design review are powered by Inkstone, a set of Claude Code skills I built for classical Chinese scholarship. Hero images are generated via fal.ai using prompts composed through Inkstone's verse-to-image workflow.

I believe in transparency about AI use. Every article byline on this site includes a “with AI” disclosure. The AI is a tool, not the author. The editorial judgment — what to write about, what the sources actually say, what to include and what to cut — is mine. Read the full editorial statement.

Research

King Wen Sequence: Statistical Properties — Augustin Chan, structural analysis of the 64-hexagram ordering (preprint, 2026).