大過

Hexagram 28: Great Exceeding → Hexagram 22: Grace

大過
Great Exceeding
Lake / Wind
Grace
Mountain / Fire
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 4, 5, 6).

Line 1

初六 藉用白茅。无咎。

jièfor
yòngusing
báiwhite
máothatch
no
jiùblame

Six at the beginning means: To spread white rushes underneath. No blame.

Line 2

九二 枯楊生稊。老夫得其女妻。无不利。

the withered
yángpoplar
shēngsends out
a new
lǎothe old
gentleman
finds
his own
a maiden
companion
without
doubt
worthwhile

Nine in the second place means: A dry poplar sprouts at the root. An older man takes a young wife. Everything furthers.

Line 4

九四 棟隆。吉。有它吝。

dòngthe ridgepole
lóngholds
promising
yǒuif it
tuōany
lìnthen inadequacy

Nine in the fourth place means: The ridgepole is braced. Good fortune. If there are ulterior motives, it is humiliating.

Line 5

九五 枯楊生華。老婦得其士夫。无咎无譽。

the withered
yángpoplar
shēngsends out
huáflowers
lǎothe old
woman
finds
her own
shìa young gentleman
as husband
no
jiùto blame
no
to praise

Nine in the fifth place means: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.

Line 6

上六 過涉滅頂。凶。无咎。

guòtoo much of
shèto crossing
miècovering
dǐngone's head
xiōngunfortunate
but no
jiùblame

Six at the top means: One must go through the water. It goes over one's head. Misfortune. No blame.

Trigram Changes

Upper TrigramLake MountainThe Joyous → Keeping Still
Lower TrigramWind FireThe Gentle → The Clinging

Yilin Verse

嬰孩求乳,母歸其子,黃麑懽喜。

The infant seeks the breast; the mother returns to her child. The yellow fawn rejoices.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Lake over wind softens into mountain above fire — Grace, where beauty adorns substance. An infant cries for milk; the mother returns to her child, and the young fawn leaps with joy. The verse is tender and elemental: hunger, reunion, and the simple happiness of nourishment received. The yellow fawn (黃麑) suggests innocence and natural delight — a creature that rejoices without calculation. Grace's image is fire glowing at the foot of the mountain, illuminating without consuming. From Great Exceeding to Grace, the overburdened structure dissolves into warmth and adornment. What was crushing weight becomes the gentle light that reveals the beauty of the most basic human bond — a mother nursing her child, the fawn bounding in uncomplicated joy.

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