Hexagram 44: Coming to Meet → Hexagram 24: Return

Coming to Meet
Heaven / Wind
Return
Earth / Thunder
Changing LinesStable Lines

Changing Lines

This transformation involves 6 changing lines (lines 1, 2, 3, 4, 5, 6).

Line 1

初六 繫于金柅。貞吉。有攸往。見凶。羸豕孚蹢躅。

secured
by
jīnmetal
brake
zhēnpersistence
is promising
yǒuhave
yōusomewhere
wǎngto go
jiànlook at
xiōngthe unfortunate
léitethered
shǐhog
is sure
zhíto kick
zhúand falter

Six at the beginning means: It must be checked with a brake of bronze. Perseverance brings good fortune. If one lets it take its course, one experiences misfortune. Even a lean pig has it in him to rage around.

Line 2

九二 包有魚。无咎。不利賓。

bāocreel
yǒuholds
fish
no
jiùblame
but no
advantage
bīnone's guests

Nine in the second place means: There is a fish in the tank. No blame. Does not further guests.

Line 3

九三 臀无膚。其行次且。厲。无大咎。

túnrump
without
skin
one's
xíngwalking
is second-rate
qiěfor now
harsh
but no
great
jiùblame

Nine in the third place means: There is no skin on his thighs, And walking comes hard. If one is mindful of the danger, No great mistake is made.

Line 4

九四 包无魚。起凶。

bāocreel
without
fish
dawning
xiōngunhappiness

Nine in the fourth place means: No fish in the tank. This leads to misfortune.

Line 5

九五 以杞包瓜。含章。有隕自天。

using
willows
bāoto wrap
guāmelons
hánrestrained
zhāngis a
yǒuthese
yǔndropped
from
tiānheaven

Nine in the fifth place means: A melon covered with willow leaves. Hidden lines. Then it drops down to one from heave.

Line 6

上九 姤其角。吝。无咎。

gòuencountering
on
jiǎohorns
lìnembarrassing
though no
jiùto blame

Nine at the top means: He comes to meet with his horns. Humiliation. No blame.

Trigram Changes

Upper TrigramHeaven EarthThe Creative → The Receptive
Lower TrigramWind ThunderThe Gentle → The Arousing

Yilin Verse

合匏同牢,姬姜並居。

Sharing the joined gourd, eating from the same dish; Ji and Jiang dwell together.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Wind beneath heaven arranges a wedding feast. 'Sharing the gourd and the same feast' refers to the ancient marriage ritual where bride and groom drink from halved gourds and eat from the same sacrificial animal, sealing their union. Ji and Jiang — the two greatest aristocratic surnames of Zhou — dwell together in harmony. The verse condenses the entire marital rite into eight characters of exquisite economy. From Coming to Meet to Return, thunder stirs within the earth as the solstice turns: the encounter of male and female in Gou becomes the cosmic return of yang, the primal seed buried in earth's darkness that will grow into a new cycle of life.

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