噬嗑

Hexagram 55: Abundance → Hexagram 21: Biting Through

Abundance
Thunder / Fire
噬嗑
Biting Through
Fire / Thunder
Changing LinesStable Lines

Changing Lines

This transformation involves 2 changing lines (lines 3, 6).

Line 3

九三 豐其沛。日中見沬。折其右肱。无咎。

fēngso abundant
are one's
pèiflowing banners
the day
zhōngat mid-
jiànone may see
mèistardust
zhéand also break
one's own
yòuright
gōngupper arm
but no
jiùblame

Nine in the third place means: The underbrush is of such abundance That the small stars can be seen at noon. He breaks his right arm. No blame.

Line 6

上六 豐其屋。蔀其家。闚其戶。闃其无人。三歲不覿。凶。

fēngso
are
chambers
screen
one's own
jiāfamily
kuīpeering
one's own
door
abandoned
in
having no
rénthe others
sānand
suìyears
not
覿seen face to face
xiōngunfortunate

Six at the top means: His house is in a state of abundance. He screens off his family. He peers through the gate And no longer perceives anyone. For three years he sees nothing. Misfortune.

Trigram Changes

Upper TrigramThunder FireThe Arousing → The Clinging
Lower TrigramFire ThunderThe Clinging → The Arousing

Yilin Verse

左指右麾,邪淫侈靡。執節无良,靈公以亡。

Pointing left, commanding right; depraved, extravagant, and wasteful. Holding authority without virtue, Duke Ling thereby perished.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Thunder and fire converge in Abundance, and the verse condemns a debauched ruler. Pointing left and waving right, he indulges in licentiousness and extravagance. He holds authority without virtue, and Duke Ling perishes because of it. This most likely refers to Duke Ling of Chen, who carried on an affair with the notorious beauty Xia Ji alongside his ministers Kong Ning and Yi Xingfu. According to the Zuo Zhuan, they openly wore Xia Ji's undergarments at court. Duke Ling was assassinated in 599 BC by Xia Zhengsu. From Abundance to Biting Through, fire and thunder enforce justice: abundance squandered on depravity meets the hexagram of judicial punishment, where lightning illuminates crimes and thunder delivers the sentence.

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