Hexagram 6: Conflict → Hexagram 30: The Clinging Fire

Conflict
Heaven / Water
The Clinging Fire
Fire / Fire
Changing LinesStable Lines

Changing Lines

This transformation involves 4 changing lines (lines 1, 2, 3, 5).

Line 1

初六 不永所事。小有言。終吉。

to avoid
yǒngprolong
suǒcertain
shìaffairs
xiǎothe small
yǒuhave
yánthings to say
zhōngin the end
auspicious

Six at the beginning means: If one does not perpetuate the affair, There is a little gossip. In the end, good fortune comes.

Line 2

九二 不克訟。歸而逋其邑。人三百戶。无眚。

not being
capable of
sòngcontending
guīone capitulates
érand so
takes refuge
one's own
home town
rénpopulation
sānis
bǎihundred
households
avoid
shěngcalamities

Nine in the second place means: One cannot engage in conflict; One returns home, gives way. The people of his town, Three hundred households, Remain free of guilt.

Line 3

六三 食舊德。貞。厲終吉。或從王事。无成。

shíincorporating
jiùlong-standing
virtues
zhēnin order to persist
difficult
zhōngbut in the end
auspicious
huòas
cóngpursuing
wángsovereign
shìaffairs
no
chéngachievement

Six in the third place means: To nourish oneself on ancient virtue induces perseverance. Danger. In the end, good fortune comes. If by chance you are in the service of a king, Seek not works.

Line 5

九五 訟。元吉。

sòngthe contest
yuánis most
promising

Nine in the fifth place means: To contend before him Brings supreme good fortune.

Trigram Changes

Upper TrigramHeaven FireThe Creative → The Clinging
Lower TrigramWater FireThe Deep → The Clinging

Yilin Verse

西徙無家,破其新車。王孫失利,不如止居。

Moving west with no home, the new cart broken. The prince loses his advantage; better to have stayed put.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven and water oppose, and a household uproots itself westward only to find no shelter waiting. The new carriage breaks apart on the road. The young nobleman suffers losses, and the verse concludes: better to have stayed put. From Conflict to The Clinging, fire doubles upon fire — brilliant illumination, but also exposure. Li's clarity reveals what the traveler should have seen before departing: movement without a destination is not progress but dispossession. The broken carriage is the Clinging's harsh light falling on a reckless decision. Fire illuminates but does not shelter. When conflict drives impulsive flight, one trades a flawed home for the open road's merciless clarity.

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