大壯

Hexagram 6: Conflict → Hexagram 34: Great Power

Conflict
Heaven / Water
大壯
Great Power
Thunder / Heaven
Changing LinesStable Lines

Changing Lines

This transformation involves 4 changing lines (lines 1, 3, 5, 6).

Line 1

初六 不永所事。小有言。終吉。

to avoid
yǒngprolong
suǒcertain
shìaffairs
xiǎothe small
yǒuhave
yánthings to say
zhōngin the end
auspicious

Six at the beginning means: If one does not perpetuate the affair, There is a little gossip. In the end, good fortune comes.

Line 3

六三 食舊德。貞。厲終吉。或從王事。无成。

shíincorporating
jiùlong-standing
virtues
zhēnin order to persist
difficult
zhōngbut in the end
auspicious
huòas
cóngpursuing
wángsovereign
shìaffairs
no
chéngachievement

Six in the third place means: To nourish oneself on ancient virtue induces perseverance. Danger. In the end, good fortune comes. If by chance you are in the service of a king, Seek not works.

Line 5

九五 訟。元吉。

sòngthe contest
yuánis most
promising

Nine in the fifth place means: To contend before him Brings supreme good fortune.

Line 6

上九 或錫之鞶帶。終朝三褫之。

huòsomebody
awards
zhīone
pánthe leather big
dàiand ribbons
zhōngby the end of
zhāothe morning
sānone will be three times
chǐstripped
zhīof them

Nine at the top means: Even if by chance a leather belt is bestowed on one, By the end of a morning It will have been snatched away three times.

Trigram Changes

Upper TrigramHeaven ThunderThe Creative → The Arousing
Lower TrigramWater HeavenThe Deep → The Creative

Yilin Verse

處高不傷,雖危不亡。握珠懷玉,還歸其鄉。

Dwelling in heights, unharmed; though perilous, not perishing. Clutching pearls, embracing jade; returning home to his village.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven and water oppose, but the one who dwells in high places is not harmed — though the position is perilous, destruction does not come. Clasping pearls and embracing jade, the traveler returns safely home. The verse affirms that intrinsic worth provides its own protection. From Conflict to Great Power, thunder rumbles above heaven, yang at its most vigorous. Dazhuang's image is overwhelming strength that must be governed by propriety: 'The noble one does not tread where ritual forbids.' The one who survives the heights does so not by aggression but by holding fast to what is precious and knowing when to descend. Great Power, properly wielded, carries its bearer home rather than driving further into danger.

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