歸妹

Hexagram 6: Conflict → Hexagram 54: The Marrying Maiden

Conflict
Heaven / Water
歸妹
The Marrying Maiden
Thunder / Lake
Changing LinesStable Lines

Changing Lines

This transformation involves 3 changing lines (lines 1, 5, 6).

Line 1

初六 不永所事。小有言。終吉。

to avoid
yǒngprolong
suǒcertain
shìaffairs
xiǎothe small
yǒuhave
yánthings to say
zhōngin the end
auspicious

Six at the beginning means: If one does not perpetuate the affair, There is a little gossip. In the end, good fortune comes.

Line 5

九五 訟。元吉。

sòngthe contest
yuánis most
promising

Nine in the fifth place means: To contend before him Brings supreme good fortune.

Line 6

上九 或錫之鞶帶。終朝三褫之。

huòsomebody
awards
zhīone
pánthe leather big
dàiand ribbons
zhōngby the end of
zhāothe morning
sānone will be three times
chǐstripped
zhīof them

Nine at the top means: Even if by chance a leather belt is bestowed on one, By the end of a morning It will have been snatched away three times.

Trigram Changes

Upper TrigramHeaven ThunderThe Creative → The Arousing
Lower TrigramWater LakeThe Deep → The Joyous

Yilin Verse

孤翁寡婦,獨宿悲苦。目張耳鳴,無與笑語。

The lone old man and the widow, sleeping alone in bitter sorrow. Eyes staring, ears ringing; with no one to speak to or laugh with.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven and water oppose, and loneliness fills the space between. An old widower and a widow sleep alone in bitter solitude. Eyes stare wide, ears ring with phantom sounds — no one to share a laugh or a word. The verse strips conflict down to its most desolate outcome: not dramatic confrontation but the quiet devastation of being utterly without companionship. From Conflict to the Marrying Maiden, thunder stirs above the lake — the youngest daughter given in marriage. Guimei is the hexagram of imperfect unions and compromised arrangements. The cruel irony is that this lonely pair might have eased each other's suffering, but the transformation's mechanism — the sudden, irreversible commitment of marriage — finds no willing parties here.

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