Hexagram 6: Conflict → Hexagram 56: The Wanderer

Conflict
Heaven / Water
The Wanderer
Mountain / Fire
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 3, 4, 5).

Line 1

初六 不永所事。小有言。終吉。

to avoid
yǒngprolong
suǒcertain
shìaffairs
xiǎothe small
yǒuhave
yánthings to say
zhōngin the end
auspicious

Six at the beginning means: If one does not perpetuate the affair, There is a little gossip. In the end, good fortune comes.

Line 2

九二 不克訟。歸而逋其邑。人三百戶。无眚。

not being
capable of
sòngcontending
guīone capitulates
érand so
takes refuge
one's own
home town
rénpopulation
sānis
bǎihundred
households
avoid
shěngcalamities

Nine in the second place means: One cannot engage in conflict; One returns home, gives way. The people of his town, Three hundred households, Remain free of guilt.

Line 3

六三 食舊德。貞。厲終吉。或從王事。无成。

shíincorporating
jiùlong-standing
virtues
zhēnin order to persist
difficult
zhōngbut in the end
auspicious
huòas
cóngpursuing
wángsovereign
shìaffairs
no
chéngachievement

Six in the third place means: To nourish oneself on ancient virtue induces perseverance. Danger. In the end, good fortune comes. If by chance you are in the service of a king, Seek not works.

Line 4

九四 不克訟。復即命。渝安貞。吉。

not being
capable of
sòngcontending
returning
to approach
mìnga higher law
withdraw
ānto secure
zhēnthe certain
good fortune

Nine in the fourth place means: One cannot engage in conflict. One turns back and submits to fate, Changes one's attitude, And finds peace in perseverance. Good fortune.

Line 5

九五 訟。元吉。

sòngthe contest
yuánis most
promising

Nine in the fifth place means: To contend before him Brings supreme good fortune.

Trigram Changes

Upper TrigramHeaven MountainThe Creative → Keeping Still
Lower TrigramWater FireThe Deep → The Clinging

Yilin Verse

載金販狗,利棄我走。藏匿淵底,悔折為咎。

Carrying gold, peddling dogs; profit makes me flee. Hiding at the bottom of the abyss; regret turns to blame.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven and water oppose, and a merchant loaded with gold peddles dogs — a grotesque mismatch of value and commodity that profits nothing. Abandoning the venture, the trader flees. What was hidden in the depths now surfaces as regret, compounding into blame. From Conflict to The Wanderer, fire clings to the mountaintop — the transient traveler who must be cautious and never overstay. Lu's image is the stranger in a strange land, where survival depends on clear judgment and quick departure. The verse captures a merchant-wanderer who misread the market, overcommitted, and must now cut losses and run. The gold hidden in the abyss is sunk cost, and clinging to it only deepens the fault.

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