同人

Hexagram 13: Fellowship → Hexagram 29: The Abysmal Water

同人
Fellowship
Heaven / Fire
The Abysmal Water
Water / Water
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 3, 4, 6).

Line 1

初九 同人于門。无咎。

tóngfellowship with
rénothers
at
méngate
no
jiùblame

Nine at the beginning means: Fellowship with men at the gate. No blame.

Line 2

六二 同人于宗。吝。

tóngfellowship with
rénothers
only in
zōngclan
lìnembarrassment

Six in the second place means: Fellowship with men in the clan. Humiliation.

Line 3

九三 伏戎于莽。升其高陵。三歲不興。

cache
róngweapons
in
mǎngunderbrush
shēngclimbing up
one's
gāohighest
línghills
sānthree
suìyears
of
xīngexuberance

Nine in the third place means: He hides weapons in the thicket; He climbs the high hill in front of it. For three years he does not rise up.

Line 4

九四 乘其墉。弗克攻。吉。

chéngmounting
one's
yōngbattlement
but not
capable of
gōngto attack
promising

Nine in the fourth place means: He climbs up on his wall; he cannot attack. Good fortune.

Line 6

上九 同人于郊。无悔。

tóngfellowship with
rénothers
in
jiāoouter districts
no
huǐto regret

Nine at the top means: Fellowship with men in the meadow. No remorse.

Trigram Changes

Upper TrigramHeaven WaterThe Creative → The Deep
Lower TrigramFire WaterThe Clinging → The Deep

Yilin Verse

孔德如玉,出於幽谷;飛上喬木,鼓其羽翼,大光照國。

Virtue like fine jade, rising from the shadowed valley. Flying up to the tall tree; spreading its wings in great radiance that illumines the realm.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven and fire form Fellowship as a bird of extraordinary virtue emerges from darkness into brilliance. Virtue luminous as jade rises from the deep valley, soars up to the tall tree, and spreads its wings — a great light shining across the nation. The imagery draws on the Shijing ode of the bird leaving the dark valley for the high wood, a metaphor for talent ascending from obscurity. From Fellowship to the Abysmal, the transformation seems to invert the verse's trajectory. Doubled water, repeated danger — yet the noble man practices constant virtue. The bird's ascent is not negated but contextualized: brilliance that has passed through the abyss carries a different authority than brilliance that has known only light.

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