大有

Hexagram 14: Great Possession → Hexagram 31: Influence

大有
Great Possession
Fire / Heaven
Influence
Lake / Mountain
Changing LinesStable Lines

Changing Lines

This transformation involves 4 changing lines (lines 1, 2, 5, 6).

Line 1

初九 无交害。匪咎。艱則无咎。

having
jiāointeraction
hàiwith trouble
fěito never to be
jiùin errors
jiānthis is difficulty
but otherwise
no
jiùblame

Nine at the beginning means: No relationship with what is harmful; There is no blame in this. If one remains conscious of difficulty, One remains without blame.

Line 2

九二 大車以載。有攸往。无咎。

great
chēwagon
is used for the purpose of
zàiundertake
yǒuto have
yōusomewhere
wǎngto go
is not
jiùmistake

Nine in the second place means: A big wagon for loading. One may undertake something. No blame.

Line 5

六五 厥孚交如。威如。吉。

juétheir
trust
jiāocommerce
resemble
wēidignity
assuming
is promising

Six in the fifth place means: He whose truth is accessible, yet dignified, Has good fortune.

Line 6

上九 自天祐之。吉无不利。

from
tiānheaven
yòuis protection
zhīis extended
promising
without
doubt
worthwhile

Nine at the top means: He is blessed by heaven. Good fortune. Nothing that does not further.

Trigram Changes

Upper TrigramFire LakeThe Clinging → The Joyous
Lower TrigramHeaven MountainThe Creative → Keeping Still

Yilin Verse

臝襢逐狐,為人觀笑;牝雞司晨,主作亂根。

Naked, chasing a fox; the spectacle draws laughter. The hen crows at dawn; she becomes the root of disorder.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

A figure strips naked to chase a fox, becoming a laughingstock. Then the hen crows at dawn — usurping the rooster's role — and becomes the root of chaos. The first image mocks undignified pursuit: someone so desperate they shed all propriety. The second invokes the famous warning from the Book of Documents: 'When the hen crows at dawn, it signals the household's ruin.' From Great Possession to Influence, fire over heaven becomes lake atop the mountain — mutual attraction, the stirring of feeling. The verse warns that Influence's receptive openness, when misapplied, invites disorder. The naked fox-chaser and the crowing hen both represent improper responsiveness: one drawn to the wrong object, the other seizing the wrong role.

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