大過

Hexagram 23: Splitting Apart → Hexagram 28: Great Exceeding

Splitting Apart
Mountain / Earth
大過
Great Exceeding
Lake / Wind
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 2, 3, 4, 5, 6).

Line 2

六二 剝牀以辨。蔑貞凶。

depriving
chuáng(the) bed
of (the use of)
biàn(the
miè(to) dismiss
zhēnpersistence
xiōng(is) unfortunate

Six in the second place means: The bed is split at the edge. Those who persevere are destroyed. Misfortune.

Line 3

六三 剝之无咎。

depriving
zhīitself
is not
jiùblame

Six in the third place means: He splits with them. No blame.

Line 4

六四 剝牀以膚。凶。

depriving
chuáng(the) bed
of (the use of)
(the
xiōngunfortunate

Six in the fourth place means: The bed is split up to the skin. Misfortune.

Line 5

六五 貫魚。以宮人寵。无不利。

guàn(a) string(line)
of fish(es)
by (way
gōng(the) palace
rénoccupants'
chǒngsponsorship
without
doubt
worthwhile

Six in the fifth place means: A shoal of fishes. Favor comes through the court ladies. Everything acts to further.

Line 6

上九 碩果不食。君子得輿。小人剝廬。

shuò(the) ripe
guǒfruit (realization
is not
shí(being) eaten
jūn(a
young one
gains
輿support
xiǎo(as
rénones
(are) deprived of
(their)(own) hovels

Nine at the top means: There is a large fruit still uneaten. The superior man receives a carriage. The house of the inferior man is split apart.

Trigram Changes

Upper TrigramMountain LakeKeeping Still → The Joyous
Lower TrigramEarth WindThe Receptive → The Gentle

Yilin Verse

百川朝海,流行不止。路雖遼遠,無不到者。

A hundred streams flow toward the sea, coursing without cease. Though the road be long and far, there is none that does not arrive.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Mountain upon earth strips away, revealing lake above wind — Great Exceeding, the ridgepole bowed under extraordinary weight. A hundred rivers flow toward the sea, their movement ceaseless. Though the road is long and distant, there is nothing that does not arrive. The verse takes Great Exceeding's imagery of overwhelming force and renders it as patient, inevitable convergence. Unlike the hexagram's sagging ridgepole, here the excess is liquid, flowing, unstoppable rather than structurally stressed. Every stream finds the ocean regardless of distance. From Splitting Apart to Great Exceeding, the mountain's collapse releases its substance into motion. What was solid becomes fluid; what was fixed becomes journeying. The gentleman 'stands alone without fear and withdraws from the world without melancholy' — the hundred rivers need no validation, only their own persistent direction.

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