Nebuchadnezzar

Hexagram 23

Splitting Apart

NebuchadnezzarWilliam Blake, 1795

King Nebuchadnezzar crawls on all fours through wilderness, his body reduced to animal form. William Blake illustrated this biblical story in 1795, showing the Babylonian monarch driven from his throne as punishment for pride. Wild hair streams down his back, fingernails have grown into claws, and his eyes stare forward with neither recognition nor comprehension. The king who built gardens and conquered nations now eats grass like cattle, his human identity disintegrated.

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This is Bō (剝), Splitting Apart—the character showing a knife cutting away from whole cloth. The hexagram shows Mountain (Gèn) above Earth (Kūn): stillness perched precariously over the receptive. Five yin lines rise from below, with only one yang line remaining at the top—an image of systematic erosion, layer after layer stripped away until almost nothing holds. In Zhou Dynasty divination, this configuration appeared when collapse had progressed too far for repair, when the wise withdrew rather than resist the inevitable. Blake illustrated the Biblical story of King Nebuchadnezzar, who was driven from his throne and lived as a beast in the wilderness as punishment for pride. The color print shows the fallen king on all fours with wild hair and long fingernails, crawling on the ground. Blake's depiction portrays a figure experiencing psychological and spiritual disintegration. The Judgment text offers stark counsel: "Splitting Apart. It does not further one to go anywhere." When disintegration reaches this stage, action accelerates decay. Ancient practitioners understood this as the time to yield, to accept diminishment, to preserve what little remains rather than exhaust it fighting entropy. Blake depicts the moment when Nebuchadnezzar's reason splits from his body—no action he might take could prevent what divine judgment set in motion. The text does not promise recovery; it counsels stillness. The Image Text observes: "The mountain rests on the earth: the image of Splitting Apart. Thus those above can ensure their position only by giving generously to those below." Even in decay, there are responses. When the foundation erodes, those who remain at the top survive only by distributing what they have, by releasing their grip on position. Blake painted this late in life, having witnessed both French and American revolutions—moments when old orders split apart beneath the pressure of accumulated grievances. In the I-Ching sequence, Splitting Apart follows Grace: when decoration can no longer hide structural failure, disintegration proceeds. The next hexagram is Return, the winter solstice point where decline finally reverses.

Upper Trigram

Kūn

EarthReceptive

ElementEarthDirectionNorthFamilyMotherQualitiesreceptive, yielding, nurturing

Lower Trigram

Gèn

MountainStillness

ElementEarthDirectionNortheastFamilyYoungest SonQualitiesstill, stopping, resting

Classical Texts

The Goal

Bo is not catastrophe — it is the recognition that dissolution is a structural phase, not a failure. The hexagram places Mountain (Gen) above Earth (Kun): a single yang line rests on top of five yin lines, the last solid element about to be eroded from below. The image is a bed being stripped from its legs upward — the foundation consumed before the surface falls. This is entropy made visible, and the hexagram's first instruction is to stop fighting it. The judgment is stark: 不利有攸往 — "not favorable to have somewhere to go." No 亨, no 利貞, no endorsement of action. This is the Yi at its most direct: there are times when the correct response is to not advance. The stripping is already underway. The five yin lines are not enemies to be fought but a phase to be endured. Attempting to act heroically during Bo — to reverse what is structurally inevitable — wastes the last remaining resources and accelerates the collapse. The hexagram's deepest architecture appears in the top line: 碩果不食 — "a large fruit uneaten." One seed survives the stripping. The mountain sits on the earth, reduced to its final solid point, and that point contains the renewal. Bo's actual goal is preservation of the essential through a period of loss. It teaches the discipline of knowing what can be saved and what must be released. The common misreading treats this as a hexagram of defeat. It is actually a hexagram about the intelligence of strategic retreat — holding the seed that will become Hexagram 24's return.

The Judgment

Going forward is not supported. Three words and a closed door. No direction is supported. Don't go anywhere. The configuration is stripping things away and movement in any direction participates in the stripping. The only supported move is the one where you don't move.

The Image

The mountain rests upon the earth: splitting apart. Those above accordingly strengthen those below to secure their position. The mountain sitting on the earth — and the earth is eroding. The instruction to those on top: give to those on the bottom. Not out of kindness. Because the mountain rests on the base, and when the base goes, the summit follows. Generosity downward is structural engineering.

The Lines

Line 1

Splitting the bed at the legs. Disregarding sustained orientation: adverse. The legs of the bed go first. The foundation, the thing you don't look at. And anyone who disregards the need for sustained focus here gets an adverse verdict. Collapse starts where you don't look. The bed still looks like a bed. It just can't hold weight anymore.

Line 2

Splitting the bed at the frame. Disregarding sustained orientation: adverse. The frame now. Same bed, same collapse, one level higher. Still adverse for the person who ignores it. The text is repeating itself — same structure, same verdict. Because the person who watched the legs go and did nothing is now watching the frame go. The repetition is the point.

Line 3

Splitting from them. No fault. You split away. No fault. The hinge line, and the instruction is: separate yourself from the collapse. Not fix it — leave it. This is the one line in the stripping hexagram where the verdict is clean. The person who walks away from the building while it's still standing is the one the text calls faultless.

Line 4

Splitting the bed to the skin. Adverse. The stripping has reached the flesh. Not the furniture anymore — the person. Adverse. The collapse that started at the legs and moved through the frame has now arrived at the occupant. The bed is gone. You're exposed. This is what happens in the line after you were supposed to leave.

Line 5

A string of fish. Favor through the palace household. Nothing that isn't supported. Fish on a string — ordered, sequential, each in its place. And through this order: everything supported. In the middle of the splitting-apart hexagram, position five finds a way to arrange what's left into something functional. Not everything is saved. But what's left is in the right order. Sometimes that's the only rescue available.

Line 6

The large fruit is not eaten. The noble one gains a carriage. The lesser ones strip their own shelters. The big fruit survives. Uneaten. The noble person gets a vehicle — something to ride into the next cycle. The small people tear down their own huts. The top of the splitting hexagram and the seed that makes it through. Some things are so ripe they roll past the destruction. The fruit that isn't eaten becomes the next tree.

Yilin: Forest of Changes

From Jiao Yanshou's Forest of Changes (焦氏易林) — the verse for Hexagram 23 in its unchanging form. A Han dynasty collection of four-character verses interpreting every hexagram transformation.

Yilin artwork for Hexagram 23
行觸大忌,與司命牾。執囚束縛,拘制於吏。幽人有喜。

Actions transgress a great taboo, offending the Lord of Fate. Seized and bound as a prisoner, restrained in an official's custody. The secluded one finds cause for joy.

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Mountain upon earth doubled — Splitting Apart meets itself. One's actions collide with the greatest taboo, offending the Lord of Fate himself. Bound and fettered, one is detained under an official's control. Yet the verse closes with a paradox drawn from the hexagram's own sixth line: 'The secluded person has joy.' To transgress against cosmic authority and be imprisoned by mortal authority is the worst of Splitting Apart's imagery. But confinement, in the Yi's logic, can also be protection. The 'secluded person' who finds joy in captivity has discovered that being stripped of everything external reveals an irreducible inner freedom. From Splitting Apart to itself, the lesson is recursive: at the nadir of dissolution, the single remaining fruit contains the seed of renewal.

中文注释

山附於地,剝之自返。行觸大忌,與司命牾——所為觸犯最大禁忌,冒犯司命之神。執囚束縛,拘制於吏——被捕綁縛,受官吏管制。然末句「幽人有喜」直引剝卦上九爻辭。觸犯天條而入獄,為剝之極;然囚禁中反得喜悅,此為《易》之辯證:一切外在皆被剝盡之時,內在之自由不可再剝。從剝至剝,遞歸之象:消融之底點恰含重生之核。碩果不食——最後一顆果實不被吃掉,正因其中藏有復生之種。幽人之喜即此種子發芽之兆。