This is Shī (師), which combines Water (☵) above and Earth (☷) below. The character 師 originally depicted a military division under organized command, the multitude given direction by leadership. Water stored within earth: hidden reserves, potential force held under control until the moment of deployment. David's composition embodies this structure—the general visible and elevated, the troops implied but subordinate, moving as one body toward a single objective. David painted Napoleon on horseback leading his army across the Alps in 1800. The Neoclassical portrait shows the commander directing his troops, illustrating organized military force under centralized leadership. The Judgment declares: "The army needs perseverance and a strong man. Good fortune without blame." David painted the strong man, but the historical Napoleon understood the deeper requirement—that armies move through persistence rather than momentary heroism, that discipline sustains force more reliably than charisma. Zhou Dynasty military texts associated with this hexagram emphasized supply lines, morale, the capacity to maintain order during the chaos of campaign. The Image Text reveals the foundation of legitimate military power: "In the middle of the earth is water: the image of the army. Thus the superior man increases his masses by generosity toward the people." Water nourishes earth; command sustains soldiers through care rather than coercion. Napoleon knew this principle—he reformed military logistics, promoted on merit, shared rations with his troops. In the I-Ching's sequence, Shī follows Sòng: when conflict cannot be resolved through mediation, organized collective action becomes necessary. David's painting shows conflict transformed into coordinated movement, individual wills subordinated to common purpose under leadership that earns rather than demands obedience.