Hexagram 24: Return → Hexagram 6: Conflict

Return
Earth / Thunder
Conflict
Heaven / Water
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 4, 5, 6).

Line 1

初九 不遠復。无祗悔。元吉。

(it is) not (being)
yuǎnfar
(to) return(ing)
(there is) nothing
zhīworthy (of)
huǐregret(s)
yuánmost
promising

Nine at the beginning means: Return from a short distance. No need for remorse. Great good fortune.

Line 2

六二 休復。吉。

xiū(be) content
to return
promising

Six in the second place means: Quiet return. Good fortune.

Line 4

六四 中行獨復。

zhōngbalanced (in)
xíngaction
(all) alone
(to

Six in the fourth place means: Walking in the midst of others, One returns alone.

Line 5

六五 敦復。无悔。

dūnhonest
return(ing)
no
huǐregret(s)

Six in the fifth place means: Noblehearted return. No remorse.

Line 6

上六 迷復。凶。有災眚。用行師。終有大敗。以其國君凶。至于十年不克征。

(a
(to) return
xiōngunfortunate
yǒuthere is
zāicalamity
shěng(and) injury
yòng(if
xíngto move
shī(a
zhōng(then) in the end
yǒuthere will be
(a) great
bàidefeat
for
one's (own)
guódomain
jūn(and) (its) nobility
xiōng(with) misfortune
zhìeven
in
shíten
niányears
without
ability
zhēng(to

Six at the top means: Missing the return. Misfortune. Misfortune from within and without. If armies are set marching in this way, One will in the end suffer a great defeat, Disastrous for the ruler of the country. For ten years It will not be possible to attack again.

Trigram Changes

Upper TrigramEarth HeavenThe Receptive → The Creative
Lower TrigramThunder WaterThe Arousing → The Deep

Yilin Verse

三足俱行,傾危善僵。六指不便,恩累弟兄。樹柱關中,失其正當。

A three-legged creature walks together; prone to tipping and stumbling. Six fingers are no advantage; grace burdens the brothers. Setting a pillar within the pass; it loses its proper alignment.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Thunder returns below the earth, but the returning order is deformed. A three-legged creature walks with a lurching gait, prone to collapse; a six-fingered hand grasps clumsily, its extra digit more burden than advantage. These deformities extend to the body politic: excessive bonds between brothers become encumbrances rather than support, and a pillar set up in the heartland misses its proper position. Everything is slightly wrong — supernumerary, off-center, overbuilt. From Return to Conflict, heaven and water move in contrary directions. The transformation warns that structural imbalance breeds contention: what should stabilize instead destabilizes, and what should support instead obstructs.

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