Hexagram 6: Conflict → Hexagram 24: Return

Conflict
Heaven / Water
Return
Earth / Thunder
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 4, 5, 6).

Line 1

初六 不永所事。小有言。終吉。

to avoid
yǒngprolong
suǒcertain
shìaffairs
xiǎothe small
yǒuhave
yánthings to say
zhōngin the end
auspicious

Six at the beginning means: If one does not perpetuate the affair, There is a little gossip. In the end, good fortune comes.

Line 2

九二 不克訟。歸而逋其邑。人三百戶。无眚。

not being
capable of
sòngcontending
guīone capitulates
érand so
takes refuge
one's own
home town
rénpopulation
sānis
bǎihundred
households
avoid
shěngcalamities

Nine in the second place means: One cannot engage in conflict; One returns home, gives way. The people of his town, Three hundred households, Remain free of guilt.

Line 4

九四 不克訟。復即命。渝安貞。吉。

not being
capable of
sòngcontending
returning
to approach
mìnga higher law
withdraw
ānto secure
zhēnthe certain
good fortune

Nine in the fourth place means: One cannot engage in conflict. One turns back and submits to fate, Changes one's attitude, And finds peace in perseverance. Good fortune.

Line 5

九五 訟。元吉。

sòngthe contest
yuánis most
promising

Nine in the fifth place means: To contend before him Brings supreme good fortune.

Line 6

上九 或錫之鞶帶。終朝三褫之。

huòsomebody
awards
zhīone
pánthe leather big
dàiand ribbons
zhōngby the end of
zhāothe morning
sānone will be three times
chǐstripped
zhīof them

Nine at the top means: Even if by chance a leather belt is bestowed on one, By the end of a morning It will have been snatched away three times.

Trigram Changes

Upper TrigramHeaven EarthThe Creative → The Receptive
Lower TrigramWater ThunderThe Deep → The Arousing

Yilin Verse

褰兔缺唇,行難齒寒。口痛不言,為身生患。

The rabbit with cleft lip; walking is difficult, teeth are cold. The mouth aches, unable to speak; bringing affliction upon himself.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven and water oppose. A hare with a cleft lip struggles to move; its teeth are exposed and cold. The mouth aches, yet it dares not speak, and silence itself breeds further affliction. The harelip is both physical defect and metaphor: when the instrument of articulation is malformed, communication fails, and unexpressed grievances fester into bodily harm. The idiom 'lips gone, teeth cold' (唇亡齒寒) haunts the verse — without protective covering, vulnerability deepens. From Conflict to Return, thunder stirs beneath the earth at the winter solstice, the single yang returning. Return demands turning inward for renewal, yet the hare cannot speak its way out. The return here must be silent, internal, a mending from within.

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