无妄

Hexagram 25: Innocence → Hexagram 32: Duration

无妄
Innocence
Heaven / Thunder
Duration
Thunder / Wind
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 3, 5, 6).

Line 1

初九 无妄。往吉。

without
wàngpretense
wǎngto go forth
is promising

Nine at the beginning means: Innocent behavior brings good fortune.

Line 2

六二 不耕穫。不菑畬。則利有攸往。

when
gēngploughing
huòto
and when
clearing
in
then
worthwhile
yǒuto have
yōusomewhere
wǎngto go

Six in the second place means: If one does not count on the harvest while plowing, Nor on the use of the ground while clearing it, It furthers one to undertake something.

Line 3

六三 无妄之災。或繫之牛。行人之得。邑人之災。

one without
wàngpretense
zhīstill
zāimisfortune
huòas when somebody
tethers
zhīone's
niúox
xíngon the move
rénis
zhīhas
an
and is a
réninhabitant
zhī...'s
zāithe calamity

Six in the third place means: Undeserved misfortune. The cow that was tethered by someone Is the wanderer's gain, the citizen's loss.

Line 5

九五 无妄之疾。勿藥有喜。

one without
wàngpretense
zhīstill
illness
do not
yàomedicate
yǒuto attain
happiness

Nine in the fifth place means: Use no medicine in an illness Incurred through no fault of your own. It will pass of itself.

Line 6

上九 无妄。行有眚。无攸利。

even
wàngpretense
xíngbut
yǒubrings about
shěngsuffering
this is no
yōua direction
with merit

Nine at the top means: Innocent action brings misfortune. Nothing furthers.

Trigram Changes

Upper TrigramHeaven ThunderThe Creative → The Arousing
Lower TrigramThunder WindThe Arousing → The Gentle

Yilin Verse

采唐沫鄉,要期桑中。失信不會,憂思約帶。

Under moonlight in the mulberry grove, waiting in vain. Shadows tread on scattered blossoms — no one comes. Dew soaks the sleeves, cold seeps to the bone — returning home, the belt is another inch too loose.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

The original verse reads: gathering tang-grass at Mei, a tryst arranged among the mulberries. Faith is broken — the lover does not come — and longing tightens the belt with grief. This directly references the Shijing ode 'Sang Zhong' about illicit meetings at the mulberry grove. The promised encounter fails, and the abandoned one wastes away in lonely waiting. From Innocence to Duration, the transformation deepens the irony: Heng means constancy, thunder and wind persisting together. Yet here constancy appears only in the steadfastness of unfulfilled longing. The lover who does not appear violates the trust that both Wuwang and Heng demand, leaving duration as nothing but the endurance of empty hoping.

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