大過小過

Hexagram 28: Great Exceeding → Hexagram 62: Small Exceeding

大過
Great Exceeding
Lake / Wind
小過
Small Exceeding
Mountain / Thunder
Changing LinesStable Lines

Changing Lines

This transformation involves 6 changing lines (lines 1, 2, 3, 4, 5, 6).

Line 1

初六 藉用白茅。无咎。

jièfor
yòngusing
báiwhite
máothatch
no
jiùblame

Six at the beginning means: To spread white rushes underneath. No blame.

Line 2

九二 枯楊生稊。老夫得其女妻。无不利。

the withered
yángpoplar
shēngsends out
a new
lǎothe old
gentleman
finds
his own
a maiden
companion
without
doubt
worthwhile

Nine in the second place means: A dry poplar sprouts at the root. An older man takes a young wife. Everything furthers.

Line 3

九三 棟橈。凶。

dòngthe ridgepole
náois deformed
xiōngominous

Nine in the third place means: The ridgepole sags to the breaking point. Misfortune.

Line 4

九四 棟隆。吉。有它吝。

dòngthe ridgepole
lóngholds
promising
yǒuif it
tuōany
lìnthen inadequacy

Nine in the fourth place means: The ridgepole is braced. Good fortune. If there are ulterior motives, it is humiliating.

Line 5

九五 枯楊生華。老婦得其士夫。无咎无譽。

the withered
yángpoplar
shēngsends out
huáflowers
lǎothe old
woman
finds
her own
shìa young gentleman
as husband
no
jiùto blame
no
to praise

Nine in the fifth place means: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.

Line 6

上六 過涉滅頂。凶。无咎。

guòtoo much of
shèto crossing
miècovering
dǐngone's head
xiōngunfortunate
but no
jiùblame

Six at the top means: One must go through the water. It goes over one's head. Misfortune. No blame.

Trigram Changes

Upper TrigramLake MountainThe Joyous → Keeping Still
Lower TrigramWind ThunderThe Gentle → The Arousing

Yilin Verse

兩心相悅,共其柔筋。夙夜在公,不離房中。得君子意。

Two hearts delighting in each other; sharing their gentle tenderness. Morning and night in devoted service; they do not leave the chamber. Gaining the noble one’s favor.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Lake over wind settles into thunder above mountain — Small Exceeding, where small things succeed but great things do not. Two hearts delight in each other, sharing tender intimacy. Day and night devoted to duty, one does not leave the chamber, and wins the gentleman's favor. The verse is a love poem of quiet contentment: mutual attraction, physical closeness, and the reward of constant devotion. 'Day and night in service, never leaving the room' suggests both romantic intimacy and faithful attendance. Small Exceeding's image — a bird in flight — counsels staying low rather than soaring high. From Great Exceeding to Small Exceeding, overwhelming force is miniaturized into intimate, careful attention. The verse celebrates the small excess of devotion: not grand gestures but the steady presence that earns lasting affection.

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