Hexagram 29: The Abysmal Water → Hexagram 33: Retreat

The Abysmal Water
Water / Water
Retreat
Heaven / Mountain
Changing LinesStable Lines

Changing Lines

This transformation involves 4 changing lines (lines 2, 3, 4, 6).

Line 2

九二 坎有險。求小得。

kǎnthe pit
yǒuhas
xiǎnrisk
qiúseek
xiǎosmall
gains

Nine in the second place means: The abyss is dangerous. One should strive to attain small things only.

Line 3

六三 來之坎坎。險且枕。入于坎窞。勿用。

láicoming
zhīand going
kǎnpit
kǎnafter pit
xiǎnthe narrow ledge
qiěis
zhěna resting place to rest
to enter
into
kǎnthe canyon's
dànhidden
is
yònguseful

Six in the third place means: Forward and backward, abyss on abyss. In danger like this, pause at first and wait, Otherwise you will fall into a pit in the abyss. Do not act this way.

Line 4

六四 樽酒簋貳。用缶。納約自牖。終无咎。

zūna jug
jiǔof wine
guǐa simple bamboo basket
èror two
yòngand utensils
fǒuof clay
handed
yuēsimply
through
yǒuthe window
zhōngin the end
no
jiùblame

Six in the fourth place means: A jug of wine, a bowl of rice with it; Earthen vessels Simply handed in through the Window. There is certainly no blame in this.

Line 6

上六 係用徽纆。寘于叢棘。三歲不得。凶。

bound
yòngwith
huībraided
and stranded
zhìand put aside
in
cónga thicket
thorny brambles
sānfor three
suìyears
of no
gain
xiōngis unfortunate

Six at the top means: Bound with cords and ropes, Shut in between thorn-hedged prison walls: For three years one does not find the way. Misfortune.

Trigram Changes

Upper TrigramWater HeavenThe Deep → The Creative
Lower TrigramWater MountainThe Deep → Keeping Still

Yilin Verse

匏瓜之德,宜繫不食。君子失與,官政懷憂。

The virtue of the bottle gourd -- fit to be hung, not to be eaten. The noble man loses his companions; official duties bring only worry.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Water upon water, the worthy man hangs unused like a gourd. The bottle gourd possesses virtue, fit to be hung as an ornament but not to be eaten — echoing Confucius's lament in the Analects: 'Am I a bottle gourd? How can I hang here without being consumed?' The gentleman has lost his allies, and governance fills him with worry. Talent is present but unemployed; capacity exists but finds no outlet. From The Abysmal to Retreat, heaven withdraws above the mountain. The gourd hung and uneaten is the perfect emblem of retreat forced upon the capable: the sage is not absent from the world but suspended in it, visible yet unengaged, his gifts acknowledged but deliberately set aside.

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