Hexagram 33: Retreat → Hexagram 11: Peace

Retreat
Heaven / Mountain
Peace
Earth / Heaven
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 4, 5, 6).

Line 1

初六 遯尾厲。勿用有攸往。

dùnwithdrawing
wěithat
in distress
not at all
yònguseful
yǒuto have
yōusomewhere
wǎngto go

Six at the beginning means: At the tail in retreat. This is dangerous. One must not wish to undertake anything.

Line 2

六二 執之用黃牛之革。莫之勝說。

zhíto bind
zhīit
yòngwith
huángyellow
niúcow
zhī's
rawhide
none
zhīwill
shèngsuccess in
shuōgetting it loose

Six in the second place means: he holds him fast with yellow oxhide. No one can tear him loose.

Line 4

九四 好遯。君子吉。小人否。

hǎoa voluntary
dùnretreat
jūnthe noble
young one
good fortune
xiǎothe ordinarily
rénpeople
deny

Nine in the fourth place means: Voluntary retreat brings good fortune to the superior man And downfall to the inferior man.

Line 5

九五 嘉遯貞吉。

jiācommendable
dùnretreat
zhēnpersistence
is promising

Nine in the fifth place means: Friendly retreat. Perseverance brings good fortune.

Line 6

上九 肥遯无不利。

féihealthy
dùnretreat
without
doubt
worthwhile

Nine at the top means: Cheerful retreat. Everything serves to further.

Trigram Changes

Upper TrigramHeaven EarthThe Creative → The Receptive
Lower TrigramMountain HeavenKeeping Still → The Creative

Yilin Verse

縮緒亂絲,手與為哭。越畝逐兔,斷其襌襦。

Winding thread, tangled silk; hands join in it and weep. Crossing furrows to chase a hare; tearing one's unlined robe.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven above the mountain descends into earth below heaven — Peace, where heaven and earth mingle freely. Yet the verse paints disorder rather than harmony: tangled silk and knotted threads reduce one's hands to tears of frustration. Then the scene shifts to chasing a rabbit across open fields, tearing one's unlined robe in the process. The images capture futile effort — attempts to impose order on chaos and reckless pursuit that destroys what one wears. From Retreat to Peace, the transformation should bring communion between high and low, but here the retreating figure stumbles into confusion rather than harmony. Peace requires more than withdrawal; it demands patient untangling. The torn robe warns that rushing headlong toward resolution undoes whatever protection retreat once provided.

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