小畜

Hexagram 45: Gathering Together → Hexagram 9: Small Taming

Gathering Together
Lake / Earth
小畜
Small Taming
Wind / Heaven
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 3, 4, 6).

Line 1

初六 有孚不終。乃亂乃萃。若號一握為笑。勿恤。往无咎。

yǒubeing
true
is not
zhōngall
nǎiif first
luànconfused
nǎiand then
cuìgather
ruòseeming
hàoto call
and one
helping handclasp
wéibecomes
xiàolaughter
do not
worry
wǎnggo
without
jiùguilt

Six at the beginning means: If you are sincere, but not to the end, There will sometimes be confusion, sometimes gathering together. If you call out, Then after one grasp of the hand you can laugh again. Regret not. Going is without blame.

Line 2

六二 引吉无咎。孚乃利用禴。

yǐnto be led
is the promises
no
jiùblame
but sincerity
nǎiis
the real worth
yòngin
yuèthe modest

Six in the second place means: Letting oneself be drawn Brings good fortune and remains blameless. If one is sincere, It furthers one to bring even a small offering.

Line 3

六三 萃如嗟如。无攸利。往无咎。小吝。

cuìto congregate
it seems that
jiēa lamentation
is like
this is no
yōudirection
with merit
wǎngto go
is not
jiùblameworthy
xiǎobut a little
lìnembarrassment

Six in the third place means: Gathering together amid sighs. Nothing that would further. Going is without blame. Slight humiliation.

Line 4

九四 大吉无咎。

much
promise
no
jiùblame

Nine in the fourth place means: Great good fortune. No blame.

Line 6

上六 齎咨涕洟。无咎。

offer up
counsel
but
and sniveling
but
jiùblame

Six at the top means: Lamenting and sighing, floods of tears. No blame.

Trigram Changes

Upper TrigramLake WindThe Joyous → The Gentle
Lower TrigramEarth HeavenThe Receptive → The Creative

Yilin Verse

筐傾筥覆,喪我公粒。簡伯无禮,太師正食。

The basket tips, the hamper overturns; we lose our lord's grain. Jian Bo shows no propriety; the Grand Preceptor corrects the rations.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Lake upon earth gives way to wind riding above heaven, where small accumulation meets great force. The baskets tip and overturn, spilling the lord's grain. Jian Bo lacks propriety, and the Grand Musician corrects the meal ceremony. The verse depicts ritual order disrupted: food containers upset, provisions lost, a minister behaving improperly at a formal occasion. The Grand Musician (Taishi) stepping in to correct the feast protocol reflects the ancient practice where court musicians enforced ritual propriety at state banquets. From Gathering to Small Taming, the transformation shows how even modest restraining influence can redirect what has gone awry. When the gathered feast descends into impropriety, gentle correction, like wind over heaven, restores order without force.

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