Hexagram 50: The Cauldron → Hexagram 51: The Arousing Thunder

The Cauldron
Fire / Wind
The Arousing Thunder
Thunder / Thunder
Changing LinesStable Lines

Changing Lines

This transformation involves 4 changing lines (lines 1, 2, 3, 6).

Line 1

初六 鼎顛趾。利出否。得妾以其子。无咎。

dǐngthe cauldron('s)
diānwith upended
zhǐfeet
worthwhile
chūto expel
the stagnant(ating
to accept
qièthe concubine
for (the sake of)
her
a child
no
jiùblame

Six at the beginning means: A ting with legs upturned. Furthers removal of stagnating stuff. One takes a concubine for the sake of her son. No blame.

Line 2

九二 鼎有實。我仇有疾。不我能即。吉。

dǐngwhen
yǒuhas
shícontent(s)
our
chóurival
yǒuwill have
anxiety(ies)
it
our
néngin
to pursue
promising

Nine in the second place means: There is food in the ting. My comrades are envious, But they cannot harm me. Good fortune.

Line 3

九三 鼎耳革。其行塞。雉膏不食。方雨虧悔。終吉。

dǐngthe cauldron('s)
ěrears
changed
its
xíngfunction
is
zhìthe pheasant's
gāorich
is not
shíeaten
fānga sudden
rain
kuīwould diminish
huǐthe regret(s)
zhōngat
promising

Nine in the third place means: The handle of the ting is altered. One is impeded in his way of life. The fat of the pheasant is not eaten. Once rain falls, remorse is spent. Good fortune comes in the end.

Line 6

上九 鼎玉鉉。大吉。无不利。

dǐngthe cauldron('s)
a jade
xuàngrip
much
promise
without
not
worthwhile

Nine at the top means: The ting has rings of jade. Great good fortune. Nothing that would not act to further.

Trigram Changes

Upper TrigramFire ThunderThe Clinging → The Arousing
Lower TrigramWind ThunderThe Gentle → The Arousing

Yilin Verse

老猾大偷,東行盜敖。因於噬敖,幾不得去。

The old rogue, the great thief, goes east to rob the granary of Ao. Trapped at Shi'ao, he barely escapes with his life.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Fire over wind fills the cauldron; doubled thunder shakes the world in The Arousing. A sly old thief, a master of cunning, goes east to rob the Ao Granary. But he is caught in the act at the granary, barely escaping with his life. The Ao Granary was the empire's most strategic storehouse — targeting it was the highest-stakes theft imaginable. The 'old and cunning' thief overestimates his skill; the granary's defenses hold. From The Cauldron to The Arousing, the transformation reveals shock as consequence. Doubled thunder strikes the thief mid-act — the cauldron's precious contents are guarded, and the tremor of discovery jolts the intruder. Arousal here is not opportunity but alarm: the shock that punishes overreach.

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