歸妹

Hexagram 54: The Marrying Maiden → Hexagram 20: Contemplation

歸妹
The Marrying Maiden
Thunder / Lake
Contemplation
Wind / Earth
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 4, 5, 6).

Line 1

初九 歸妹以娣。跛能履。征吉。

guīmarries
mèithe maiden
as
second
the lame
néngcan manage
to walk
zhēngto expedite
is promising

Nine at the beginning means: The marrying maiden as a concubine. A lame man who is able to tread. Undertakings bring good fortune.

Line 2

九二 眇能視。利幽人之貞。

miǎothe one-eyed
néngcan
shìto see
reward
yōuan obscure
rénone
zhī's
zhēnpersistence

Nine in the second place means: A one-eyed man who is able to see. The perseverance of a solitary man furthers.

Line 4

九四 歸妹愆期。遲歸有時。

guīmarriage
mèithe maiden
qiānexceeds
the appointed
chíthe late
guīmarriage
yǒuhas
shítiming

Nine in the fourth place means: The marrying maiden draws out the allotted time. A late marriage comes in due course.

Line 5

六五 帝乙歸妹。其君之袂。不如其娣之袂良。月幾望吉。

as
Yi's [the penultimate Shang Emperor]
guīgiving
mèihis little sister
this
jūnnoblewoman
zhī's
mèigownsleeves
did not
compare well with
her
bridesmaid
zhī's
mèigownsleeves
liángin fineness
yuèas
is
wàngfull
is promising

Six in the fifth place means: The sovereign I gave his daughter in marriage. The embroidered garments of the princess Were not as gorgeous As those of the serving maid. The moon that is nearly full Brings good fortune.

Line 6

上六 女承筐无實。士刲羊无血。无攸利。

the young woman
chéngcarries
kuāngthe basket
without
shícontents
shìthe young gentleman
kuīsacrifices
yángthe sheep
without
xuèblood
this is no
yōua direction
with merit

Six at the top means: The woman holds the basket, but there are no fruits in it. The man stabs the sheep, but no blood flows. Nothing that acts to further.

Trigram Changes

Upper TrigramThunder WindThe Arousing → The Gentle
Lower TrigramLake EarthThe Joyous → The Receptive

Yilin Verse

陽為狂悖,拔劍自傷,為身生殃。

Yang turns to wild defiance; drawing the sword, he wounds himself, bringing calamity upon his own body.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Thunder over lake transforms into wind over earth: the maiden's reckless energy meets Contemplation's warning gaze. Yang energy turns wild and perverse; one draws a sword and wounds oneself, bringing calamity upon one's own body. The verse is terse and violent: unchecked aggression, turning inward, becomes self-destruction. From the Marrying Maiden to Contemplation, the transformation should elevate perspective, wind sweeping across the earth as the ancient kings surveyed the people to establish moral instruction. But here the subject has no such perspective. Unable to direct yang force outward with purpose, he turns the blade on himself. Contemplation's lesson is that self-observation must precede action; without it, power becomes its own victim.

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