Hexagram 59: Dispersion → Hexagram 51: The Arousing Thunder

Dispersion
Wind / Water
The Arousing Thunder
Thunder / Thunder
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 4, 5, 6).

Line 1

初六 用拯馬壯吉。

yònguse
zhěngrelief
a horse
zhuàngis strong
promising

Six at the beginning means: He brings help with the strength of a horse. Good fortune.

Line 2

九二 渙奔其机。悔亡。

huànscatter
bēnbut
to one's own
support
huǐregret
wángpass

Nine in the second place means: At the dissolution He hurries to that which supports him. Remorse disappears.

Line 4

六四 渙其羣元吉。渙有丘。匪夷所思。

huànscatter
one's own
qúngroup
yuánmost
promising
huànscatter
yǒuholds
qiūan accumulation
fěiit
the common
suǒplace
thought of

Six in the fourth place means: He dissolves his bond with his group. Supreme good fortune. Dispersion leads in turn to accumulation. This is something that ordinary men do not think of.

Line 5

九五 渙汗其大號。渙。王居无咎。

huànevanescent
hànas
is
great
hàocrying
huànscatter
wángthe royal
stores
no
jiùblame

Nine in the fifth place means: His loud cries are as dissolving as sweat. Dissolution! A king abides without blame.

Line 6

上九 渙其血。去逖出。无咎。

huànscatter
one's own
xuèblood
depart
once
chūto re-emerge
no
jiùblame

Nine at the top means: He dissolves his blood. Departing, keeping at a distance, going out, Is without blame.

Trigram Changes

Upper TrigramWind ThunderThe Gentle → The Arousing
Lower TrigramWater ThunderThe Deep → The Arousing

Yilin Verse

瘡瘍疥搔,孝婦不省。君多疣贅,四牡作去。

Sores, boils, and itching scabs; the filial wife cannot cure them. The lord has many warts and lumps; the four stallions are harnessed to depart.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Wind over water exposes festering ailments. Sores, scabies, and itching torment the body, but the dutiful wife pretends not to notice her husband's affliction — filial propriety sealing her lips. The lord is covered in warts and blemishes; finally, four horses are harnessed for departure. The body politic mirrors the diseased body: corruption ignored out of misplaced deference until the only option is flight. Doubled thunder creates the image of the Arousing — the shock that forces reckoning. From Dispersion to the Arousing, hidden disease is scattered into visibility by the wind, and the thunder's double strike demands immediate response. The departure by chariot is not retreat but the jolting recognition that what festered in silence can no longer be endured.

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