小過

Hexagram 62: Small Exceeding → Hexagram 42: Increase

小過
Small Exceeding
Thunder / Mountain
Increase
Wind / Thunder
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 3, 4, 5, 6).

Line 1

初六 飛鳥以凶。

fēiflies
niǎobird
is on the way to
xiōngadversity

Six at the beginning means: The bird meets with misfortune through flying.

Line 3

九三 弗過防之。從或戕之。凶。

it
guògo beyond
fángto defend
zhīoneself
cóngfrom behind
huòsomebody
qiāngassault
zhīthis one
xiōngunfortunate

Nine in the third place means: If one is not extremely careful, Somebody may come up from behind and strike him. Misfortune.

Line 4

九四 无咎。弗過遇之。往厲必戒。勿用永貞。

avoid
jiùharm
it
guògo beyond
to greet
zhīanother
wǎnggoing
difficult
and require
jièprecaution
do not
yòngpractice
yǒnglasting
zhēnpersistence

Nine in the fourth place means: No blame. He meets him without passing by. Going brings danger. One must be on guard. Do not act. Be constantly persevering.

Line 5

六五 密雲不雨。自我西郊。公弋取彼在穴。

thick
yúnclouds
but
rain
coming from
our
西western
jiāohorizon
gōngeven a duke
bowhunts with tethered/harpoon arrows
preferring
that
zàiin
xuécave

Six in the fifth place means: Dense clouds, No rain from our western territory. The prince shoots and hits him who is in the cave.

Line 6

上六 弗遇過之。飛鳥離之。凶。是謂災眚。

without
greeting
guòin
zhīthem
fēiflying
niǎobirds
abandon
zhīthis
xiōngill-omened
shìtrue
wèisignalling
zāiof calamity
shěngand harm

Six at the top means: He passes him by, not meeting him. The flying bird leaves him. Misfortune. This means bad luck and injury.

Trigram Changes

Upper TrigramThunder WindThe Arousing → The Gentle
Lower TrigramMountain ThunderKeeping Still → The Arousing

Yilin Verse

執斧破薪,使媒求婦。和合二姓,親迎斯須。色比毛嬙,姑翁悅喜。

Taking axe to split firewood, sending matchmaker to seek a bride; two surnames join in harmony; welcoming the bride in ceremony; her beauty rivals Mao Qiang; parents-in-law rejoice.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Thunder rumbles above the mountain as the groom takes an axe to chop firewood, then sends a matchmaker to seek a bride. Two surnames are harmoniously joined, and the formal procession arrives shortly. The bride's beauty rivals Mao Qiang, and the parents-in-law are delighted. The axe and firewood (執斧破薪) allude to the Odes poem 'Fa Ke' (伐柯): 'To hew an axe handle, the pattern is not far' — marriage follows established models. Mao Qiang (毛嬙) was a legendary beauty of the Yue kingdom. From Small Exceeding to Increase, the mountain's thunder transforms into wind and thunder working in concert — mutual reinforcement and growth. The marriage is not mere domesticity but generative union: two forces amplifying each other, the household as engine of increase.

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