小畜小過

Hexagram 9: Small Taming → Hexagram 62: Small Exceeding

小畜
Small Taming
Wind / Heaven
小過
Small Exceeding
Thunder / Mountain
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 4, 5, 6).

Line 1

初九 復自道。何其咎。吉。

returning
one's own
dàopath
where
is one's
jiùan error?
promising

Nine at the beginning means: Return to the way. How could there be blame in this? Good fortune.

Line 2

九二 牽復。吉。

qiāndrawn
to return
promising

Nine in the second place means: He allows himself to be drawn into returning. Good fortune.

Line 4

六四 有孚。血去惕出。无咎。

yǒube
true
xuèthe bleeding
stops
and anxiety
chūdepart

Six in the fourth place means: If you are sincere, blood vanishes and fear gives way. No blame.

Line 5

九五 有孚攣如。富以其鄰。

yǒuhave
true
luánto confuse
like
enriched
by
one's
línneighbors

Nine in the fifth place means: If you are sincere and loyally attached, You are rich in your neighbor.

Line 6

上九 既雨既處。尚德載。婦貞厲。月幾望。君子征凶。

once
rain
once
chùsettling
shàngappreciate
virtue
zàicarries
the wife
zhēnpersistence
is difficult
yuèthe moon
nearly
wàngfull
jūnthe noble
one
zhēngadvancing
xiōngunfortunate

Nine at the top means: The rain comes, there is rest. This is due to the lasting effect of character. Perseverance brings the woman into danger. The moon is nearly full. If the superior man persists, Misfortune comes.

Trigram Changes

Upper TrigramWind ThunderThe Gentle → The Arousing
Lower TrigramHeaven MountainThe Creative → Keeping Still

Yilin Verse

關雎淑女,配我君子;少妻在門,君子嘉喜。

The osprey cries for a virtuous maiden, a fit match for my lord. The young wife stands at the gate; the noble man rejoices.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Wind above heaven meets thunder resting above the mountain — Small Exceeding's modest overstepping. The verse quotes the Shijing's opening ode 'Guan Ju': ospreys cry on the river islet, and the gentle maiden is a worthy match for the gentleman. A young bride stands at the gate; the gentleman rejoices. From Small Taming to Small Exceeding, the verse finds in Xiao Guo's cautious overreach the courage to make a match. The poem's restraint is the key: this is not Great Exceeding's structural strain but a small, appropriate step beyond propriety's usual boundaries — the heart's quiet boldness in declaring its intent. The osprey's cry announces that even modest initiative, rightly timed, brings the match that fulfills both partners.

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