噬嗑大過

Hexagram 21: Biting Through → Hexagram 28: Great Exceeding

噬嗑
Biting Through
Fire / Thunder
大過
Great Exceeding
Lake / Wind
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 3, 5, 6).

Line 1

初九 履校滅趾。无咎。

sandaled feet
xiàofettered
mièmiss
zhǐthe toes
no
jiùblame

Nine at the beginning means: His feet are fastened in the stocks, So that his toes disappear. No blame.

Line 2

六二 噬膚滅鼻。无咎。

shìbiting
tender meat
mièand burying
the nose
but no
jiùblame

Six in the second place means: Bites through tender meat, So that his nose disappears. No blame.

Line 3

六三 噬腊肉。遇毒。小吝。无咎。

shìbiting
preserved
ròumeat
and encounter
decay
xiǎosome small
lìnembarrassment
but no
jiùblame

Six in the third place means: Bites on old dried meat And strikes on something poisonous. Slight humiliation. No blame.

Line 5

六五 噬乾肉。得黃金。貞厲。无咎。

shìbiting
gāndry
ròumeat
finding
huángyellow
jīnmetal
zhēnpersistence
is difficult
but no
jiùblame

Six in the fifth place means: Bites on dried lean meat. Receives yellow gold. Perseveringly aware of danger. No blame.

Line 6

上九 何校滅耳。凶。

wearing
xiàoa cangue
mièmiss
ěrthe ears
xiōngunfortunate

Nine at the top means: His neck is fastened in the wooden cangue, So that his ears disappear. Misfortune.

Trigram Changes

Upper TrigramFire LakeThe Clinging → The Joyous
Lower TrigramThunder WindThe Arousing → The Gentle

Yilin Verse

奇適無偶,習靖獨處;所願不從,心思勞苦。

Odd without a match, accustomed to quiet and dwelling alone; one's wishes go unfollowed -- the heart labors in bitter longing.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Fire and thunder enforce order, but here the verse speaks of an unmatched soul dwelling alone. An odd piece without its pair settles into quiet solitude. Desires go unfulfilled, and the heart labors in bitter thought. The word 'odd' (奇) means 'without complement' — a single chopstick, a solitary shoe. The verse captures the ache of incompleteness, not dramatic tragedy but the slow erosion of hope. From Biting Through to Great Exceeding, the lake submerges the trees below it — a structure overwhelmed. The solitary figure bears a weight too great for one person, the ridgepole sagging under a burden meant for two. Excess without partnership becomes unbearable strain.

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