Hexagram 30: The Clinging Fire → Hexagram 29: The Abysmal Water

The Clinging Fire
Fire / Fire
The Abysmal Water
Water / Water
Changing LinesStable Lines

Changing Lines

This transformation involves 6 changing lines (lines 1, 2, 3, 4, 5, 6).

Line 1

初九 履錯然。敬之。无咎。

taking steps
cuòmixed up
ránbut so
jìngto respect
zhīfor
and no
jiùblame

Nine at the beginning means: The footprints run crisscross. If one is seriously intent, no blame.

Line 2

六二 黃離。元吉。

huánggolden
radiance
yuánmost
promising

Six in the second place means: Yellow light. Supreme good fortune.

Line 3

九三 日昃之離。不鼓缶而歌。則大耋之嗟。凶。

the sun
declines
zhīin
radiance
not
drumming
fǒuclay
érand
singing
leads to
much
diéold age
zhī's
jiēlament
xiōngunfortunate

Nine in the third place means: In the light of the setting sun, Men either beat the pot and sing Or loudly bewail the approach of old age. Misfortune.

Line 4

九四 突如其來如。焚如。死如。棄如。

sudden
so
one's
láiarrival
seems
féna ablaze
so
mortal
so
soon forgotten
so

Nine in the fourth place means: Its coming is sudden; It flames up, dies down, is thrown away.

Line 5

六五 出涕沱若。戚嗟若。吉。

chūissuing
tears
tuórunning water
ruòlike
grief
jiēand lament
ruòsuch
promising

Six in the fifth place means: Tears in floods, sighing and lamenting. Good fortune.

Line 6

上九 王用出征。有嘉。折首。獲匪其醜。无咎。

wángthe sovereign
yònguses
chūissues
zhēngto expedite
yǒuthere are
jiācommendations
zhéand severed
shǒuheads
huòthe captives
fěiare not
of
chǒucategory
no
jiùblame

Nine at the top means: The king uses him to march forth and chastise. Then it is best to kill the leaders And take captive the followers. No blame.

Trigram Changes

Upper TrigramFire WaterThe Clinging → The Deep
Lower TrigramFire WaterThe Clinging → The Deep

Yilin Verse

被綉夜行,不見文章,安坐玉堂,乃無咎殃,長子帥師,得其正常。

Wearing brocade, walking by night; the fine patterns go unseen. Sitting calmly in the jade hall; thus there is no blame or misfortune. The eldest son leads the army; he achieves proper order.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Doubled fire meets doubled water: brilliance enters the abyss and must learn to conceal its splendor. Wearing embroidered robes at night, no one can see the patterns. Yet sitting calmly in the jade hall brings no calamity; the eldest son leads the army and achieves proper order. 'Brocade worn at night' (bei xiu ye xing) is a classical image of wasted brilliance — the finest garment invisible in darkness. The verse counsels that in times of danger, restraint surpasses display. From The Clinging to The Abysmal, fire descends into water's repeated peril. The one who accepts that brilliance must sometimes go unseen, who sits still in the hall rather than parading through the dark, preserves both himself and the mission. The eldest son's disciplined command embodies fire's clarity channeled through water's constant practice.

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