Hexagram 46: Pushing Upward → Hexagram 49: Revolution

Pushing Upward
Earth / Wind
Revolution
Lake / Fire
Changing LinesStable Lines

Changing Lines

This transformation involves 4 changing lines (lines 1, 2, 4, 5).

Line 1

初六 允升大吉。

yǔnwelcome
shēngadvance
much
promise

Six at the beginning means: Pushing upward that meets with confidence Brings great good fortune.

Line 2

九二 孚乃利用禴。无咎。

sincerity
nǎiis
the real worth
yòngin
yuèthe modest

Nine in the second place means: If one is sincere, It furthers one to bring even a small offering. No blame.

Line 4

六四 王用亨于岐山。吉。无咎。

wángthe sovereign
yòngwill make
hēngoffering(s)
to
Split
shānMountain
promising
not(hing) (is)
jiùwrong

Six in the fourth place means: The king offers him Mount Ch'i. Good fortune. No blame.

Line 5

六五 貞吉升階。

zhēnpersistence
promising
shēngthe advance
jiēby in steps

Six in the fifth place means: Perseverance brings good fortune. One pushes upward by steps.

Trigram Changes

Upper TrigramEarth LakeThe Receptive → The Joyous
Lower TrigramWind FireThe Gentle → The Clinging

Yilin Verse

居諸日月,遇暗不明。長夜喪中,絕其紀綱。

O sun and moon; one meets darkness, not light. Through the long night, deep in mourning, all bonds and order are severed.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Wood grows within the earth, yet the sun and moon move through darkness alone, encountering no brightness along their course. Through the long night of mourning, every bond of governance is severed utterly and the realm's institutional fabric dissolves. The phrase 'Ju zhu ri yue' echoes the Shijing ode lamenting time's ceaseless passage, here given a funereal cast: luminaries eclipsed, cosmic order shattered, and all the threads that hold the state together cut at once. Lake over fire, the image of Revolution, replaces one order with another through decisive transformation. From Pushing Upward to Revolution, the gradual ascent encounters a rupture so complete that the old structure cannot be reformed — only overthrown and rebuilt from the ground up.

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