Hexagram 47: Oppression → Hexagram 5: Waiting

Oppression
Lake / Water
Waiting
Water / Heaven
Changing LinesStable Lines

Changing Lines

This transformation involves 3 changing lines (lines 1, 3, 4).

Line 1

初六 臀困于株木。入于幽谷。三歲不覿。

túnwith rump
kùnbeset
by
zhūcane
of wood
entering
into
yōuthe gloomy
valley
sānfor three
suìyears
not
覿seen face to face

Six at the beginning means: One sits oppressed under a bare tree And strays into a gloomy valley. For three years one sees nothing.

Line 3

六三 困于石。據于蒺蔾。入于其宮。不見其妻。凶。

kùnbeset
by
shístone
seize
upon
thorns
brambles
entering
into
his
gōnghouse
but not
jiànseeing
his
wife
xiōngunfortunate

Six in the third place means: A man permits himself to be oppressed by stone, And leans on thorns and thistles. He enters the house and does not see his wife. Misfortune.

Line 4

九四 來徐徐。困于金車。吝。有終。

láiapproaching
slowly
so slowly
kùnbeset
in
jīnmetal
chēchariot
lìnbut the
yǒuhas
zhōngan end

Nine in the fourth place means: He comes very quietly, oppressed in a golden carriage. Humiliation, but the end is reached.

Trigram Changes

Upper TrigramLake WaterThe Joyous → The Deep
Lower TrigramWater HeavenThe Deep → The Creative

Yilin Verse

石鼠四足,不能上屋。顏氏淑德,未有爵祿。

The stone rat has four feet but cannot climb to the roof. The Yan clan possesses pure virtue yet has neither rank nor stipend.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

A lake without water: a stone rat scurries on four legs but cannot climb to the rooftop. The image echoes the Shijing's 'Shuo Shu' ode, where the bloated rat symbolizes those who consume without contributing. Then comes Yan Hui, Confucius's most beloved disciple, whose sublime virtue went unrewarded with rank or salary. He lived in a narrow lane on a single bowl of rice and a ladle of water, yet never lost his joy. From Oppression to Waiting, clouds mass above heaven but the rain has not yet fallen. The worthy man's time has not arrived. The fat rat occupies what it cannot earn; the sage starves in his lane. Oppression here is not poverty of character but poverty of recognition, and the one who waits must wait longer still.

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