Hexagram 6: Conflict → Hexagram 55: Abundance

Conflict
Heaven / Water
Abundance
Thunder / Fire
Changing LinesStable Lines

Changing Lines

This transformation involves 5 changing lines (lines 1, 2, 3, 5, 6).

Line 1

初六 不永所事。小有言。終吉。

to avoid
yǒngprolong
suǒcertain
shìaffairs
xiǎothe small
yǒuhave
yánthings to say
zhōngin the end
auspicious

Six at the beginning means: If one does not perpetuate the affair, There is a little gossip. In the end, good fortune comes.

Line 2

九二 不克訟。歸而逋其邑。人三百戶。无眚。

not being
capable of
sòngcontending
guīone capitulates
érand so
takes refuge
one's own
home town
rénpopulation
sānis
bǎihundred
households
avoid
shěngcalamities

Nine in the second place means: One cannot engage in conflict; One returns home, gives way. The people of his town, Three hundred households, Remain free of guilt.

Line 3

六三 食舊德。貞。厲終吉。或從王事。无成。

shíincorporating
jiùlong-standing
virtues
zhēnin order to persist
difficult
zhōngbut in the end
auspicious
huòas
cóngpursuing
wángsovereign
shìaffairs
no
chéngachievement

Six in the third place means: To nourish oneself on ancient virtue induces perseverance. Danger. In the end, good fortune comes. If by chance you are in the service of a king, Seek not works.

Line 5

九五 訟。元吉。

sòngthe contest
yuánis most
promising

Nine in the fifth place means: To contend before him Brings supreme good fortune.

Line 6

上九 或錫之鞶帶。終朝三褫之。

huòsomebody
awards
zhīone
pánthe leather big
dàiand ribbons
zhōngby the end of
zhāothe morning
sānone will be three times
chǐstripped
zhīof them

Nine at the top means: Even if by chance a leather belt is bestowed on one, By the end of a morning It will have been snatched away three times.

Trigram Changes

Upper TrigramHeaven ThunderThe Creative → The Arousing
Lower TrigramWater FireThe Deep → The Clinging

Yilin Verse

低頭窺視,有所畏避。行者不利,酒酸魚敗,眾莫貪嗜。

Lowering the head, peering furtively; there is something to fear and avoid. Travelers find no advantage; the wine has soured and the fish spoiled -- none craves a taste.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BCE

Commentary

Heaven and water oppose, and suspicion pervades. One lowers the head and peers about furtively, sensing danger everywhere. Travelers fare poorly; the wine has soured and the fish rotted — no one partakes. The verse creates an atmosphere of corruption so thorough that even the simplest pleasures turn toxic. From Conflict to Abundance, thunder and lightning arrive simultaneously — the image of judicial clarity at the height of power. Feng's image is the judge who renders verdicts at the zenith. Yet the verse shows abundance gone rancid: what should be a feast of plenty has spoiled. Abundance that has not been administered with discernment ferments into waste. The lightning reveals not glory but decay.

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