This is Dùn (遯), the Chinese hexagram of Retreat. Zhou Dynasty diviners saw this configuration when Heaven (Qián) sits above Mountain (Gèn)—creative force withdrawing to higher ground, power that preserves itself through strategic disengagement. The monastery embodies this structure: heaven's clarity elevated on the mountain's stillness, withdrawn from the world yet maintaining presence through visibility. Levitan's panoramic landscape depicts a vast monastery overlooking an expansive river under dramatic clouds. The painting captures withdrawal to elevated spiritual perspective, removed from worldly concerns—the essence of hexagram 33's retreat. The Judgment text addresses timing directly: "Retreat brings success. In what is small, perseverance furthers." Ancient court diviners distinguished withdrawal from defeat. When inferior forces gain strength, the superior person does not engage in direct conflict but steps back to preserve integrity. Song Dynasty commentators noted this hexagram appeared when advisors resigned from corrupt courts, when merchants closed failing ventures, when generals avoided battles that could not be won. Retreat becomes the action that allows return when conditions shift. The Image Text offers unexpected counsel: "Heaven under the mountain: the image of Retreat. Thus the superior man keeps the inferior man at a distance, not angrily but with reserve." Levitan's composition demonstrates this principle—the monastery does not confront the world below but maintains separation through elevation. The massive sky suggests what ancient practitioners understood: retreat creates perspective. From the monastery's vantage, the river patterns become visible, the weather systems legible. In the I-Ching's sequence, Dùn follows Héng (Duration): after establishing what endures, one must know when to withdraw to preserve it. Engagement serves purpose only when conditions permit effectiveness.