Bruegel painted this scene of a Flemish peasant wedding feast in a barn. The crowd gathers around the bride (under the paper crown) as servers carry platters and a bagpiper waits to play. The communal gathering around shared food and celebration connects to hexagram 45's theme of gathering together. This is Cuì (萃), Gathering Together, the hexagram describing congregation around a central purpose or place. The character depicts grasses collecting, vegetation clustering—organic assembly rather than forced collection. The trigram structure shows Lake (Duì) above Earth (Kūn): joyous expression gathering on receptive ground, water pooling in the hollow. Bruegel's composition centers on the bride and the servers, the crowd radiating outward from this ritual core. In Zhou Dynasty practice, diviners associated this hexagram with harvest festivals, seasonal markets, and ceremonial assemblies—moments when dispersed people collect for shared purpose. The Judgment text declares: "Gathering Together. Success. The king approaches his temple. It furthers one to see the great man. This brings success. Perseverance furthers. To bring great offerings creates good fortune. It furthers one to undertake something." The text emphasizes both the spiritual dimension of gathering (approaching the temple) and the material aspect (bringing offerings). Bruegel's feast contains both elements—the sacrament of marriage and the very material celebration of food, drink, music. The servers carry not sacrificial offerings but custard tarts, yet the gathering retains ritual significance. The wedding creates the occasion; the shared meal accomplishes the gathering. Song Dynasty commentators noted this hexagram when communities assembled for mutual benefit—raising a barn, harvesting fields, celebrating marriages or funerals. The Image Text states: "The lake over the earth: the image of Gathering Together. Thus the superior person renews weapons to meet the unforeseen." Water naturally collects in low places; people naturally gather where conditions support assembly. Bruegel shows the barn as such a place—shelter creating the possibility of congregation, the architecture enabling the feast. In the I-Ching sequence, Cuì follows Gòu (coming to meet): after the unexpected encounter comes the deliberate gathering, chosen assembly around shared purpose. The wedding feast demonstrates this principle—what begins as two people meeting expands to include family, neighbors, the village community drawn together in the crowded barn.