This is Gèn (艮), the Chinese hexagram of Keeping Still. The character shows a watchful eye looking backward, suggesting reflective awareness that halts forward motion. Ancient diviners saw this configuration when Mountain (Gèn) doubles upon itself: stillness above, stillness below, motionless peaks reinforcing absolute rest. Guo Xi's mountains demonstrate this principle through visual form—the painting invites contemplative viewing where the observer's eye moves while the subject remains utterly static. The mountain teaches through its refusal to act. Moment of stillness and restraint in social interaction. The Judgment text offers paradoxical instruction: "Keeping Still. Keeping his back still so that he no longer feels his body. He goes into his courtyard and does not see his people. No blame." The ancient text describes meditation's inward focus—by stilling the body completely, consciousness detaches from physical sensation. Guo Xi painted mountains as objects for this practice. Song Dynasty literati would hang such scrolls in study halls, using them to cultivate mountain-like composure. The viewer sits before the painted peaks, learning stillness from stillness. Zhou Dynasty diviners understood this hexagram appeared when the wise response involved non-action, when movement in any direction would disturb necessary equilibrium. The Image Text declares: "Mountains standing close together: the image of Keeping Still. Thus the superior man does not permit his thoughts to go beyond his situation." The doubled mountain creates an image of layered stability—each peak reinforces the next, building depth through repetition of the same form. Buddhist and Daoist meditation practices found deep resonance with this hexagram. In the sequence, Keeping Still follows The Arousing: after thunder's shocking movement comes the mountain's profound rest, yang energy returning to stillness after vigorous expression.