Delacroix painted this in response to the July Revolution of 1830 in Paris, which overthrew King Charles X. The allegorical figure of Liberty leads armed citizens over barricades and bodies, holding the tricolor flag. The image depicts a decisive breakthrough moment when popular uprising breaks through royal authority, connecting to hexagram 43's theme of resolute action. This is Guài (夬), Breakthrough, called "Resoluteness" in some translations. The hexagram structure shows five yang lines pushing upward against a single yin line at the top—accumulated force achieving decisive rupture. Lake (Duì) sits above Heaven (Qián): joyous expression released by creative power, the dam breaking under pressure. Delacroix's composition surges upward and forward, the crowd's momentum carrying through the picture plane. In Zhou Dynasty court divinations, this configuration appeared when ministers confronted corrupt officials, when floodwaters breached levees, when long-accumulating tension found sudden release. The hexagram addresses not gradual change but the critical moment when restraint gives way. The Judgment text declares: "Breakthrough. One must resolutely make the matter known at the court of the king. It must be announced truthfully. Danger. It is necessary to notify one's own city. It does not further to resort to arms. It furthers one to undertake something." The text acknowledges both the necessity and peril of decisive confrontation. Delacroix shows exactly this—the dangerous moment when citizens take to the streets, when words transform into barricades and musket fire. Yet the painting also captures the Judgment's counsel: Liberty herself carries no weapon, only the flag. The breakthrough comes through will made visible, grievances announced, not through arms alone. The revolution succeeded because Charles X abdicated rather than order massacre; three days of street fighting replaced one monarchy with another. The Image Text states: "The lake has risen up to heaven: the image of Breakthrough. Thus the superior person dispenses riches downward and refrains from resting on virtue." Water accumulating until it must overflow, pressure finding release. Delacroix's Liberty embodies this principle—she rises from the people, leading them forward while distributing the revolution's promise. In the I-Ching sequence, Guài follows Yì (increase): accumulation reaches the point where it must break through existing forms or collapse under its own pressure. The barricade moment captures this threshold—buildup becoming breakthrough, the stored energy of grievance converting to kinetic force of change.