Transformations of Hexagram 45

Every line of change out of Hexagram 45 萃 Gathering Together, with the Yilin verse for each of the 64 resulting hexagrams, its translation, and the original ink brush artwork.

Hexagram 45 → Hexagram 1: The Creative

Changing lines: 1, 2, 3, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 1

碩鼠四足,飛不上屋。顏氏淵德,未有爵祿。

The large rat has four feet, yet cannot fly up to the roof. Yan Hui possessed profound virtue, yet never received rank or salary.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake gathers upon the earth, yet what assembles here cannot rise. A fat rat scurries on four legs but cannot fly up to the rooftop. The image evokes the Shijing's 'Shuo Shu' ode, where the bloated rat devours the people's grain, an emblem of parasitic consumption without contribution. Then comes Yan Hui, Confucius's most beloved disciple, whose depth of virtue (yuan de) went unmatched yet was never rewarded with rank or salary. He lived in a narrow lane on a single bowl of rice and a ladle of water. From Gathering to the Creative, the transformation exposes a bitter irony: even when all forces converge, pure heaven-born initiative demands more than mere congregation. Talent ungathered by the right patron remains earthbound, however bright its nature.

View Hexagram 1

Hexagram 45 → Hexagram 2: The Receptive

Changing lines: 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 2

新受大喜,福履重職,樂且日富。

Newly received, great joy; blessings tread upon weighty office. Delight, and daily growing richer.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake gathered upon the earth yields to the vast receptivity of doubled earth. One receives great joy anew, blessings compound upon blessings, and with each day wealth increases. The verse unfolds as pure felicity: a fresh appointment, layered responsibilities, happiness and daily prosperity. No historical allusion is named; instead the imagery is generic divinatory language of accumulating fortune. From Gathering to the Receptive, the transformation suggests that when people assemble under proper leadership, the earth's capacity to bear and nourish expands without limit. Receptive ground does not resist what comes; it simply sustains more and more. The gathered community becomes the fertile soil from which abundance naturally grows.

View Hexagram 2

Hexagram 45 → Hexagram 3: Difficulty at the Beginning

Changing lines: 1, 4

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 3

剋身整己,逢禹巡狩。錫我玄圭,拜受福祉。

Disciplining the self, rectifying one's person; encountering Yu on his royal progress. He bestows upon me the dark jade tablet; I bow and receive this blessing.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into thunder beneath water, the difficulty of new beginnings. One disciplines the body and rectifies the self, then encounters Yu the Great on his royal inspection tour. The sage-king bestows a dark jade tablet and blessings are received with a bow. The xuan gui, the black jade scepter, was the emblem granted to feudal lords at their investiture, confirming legitimate authority. Yu's inspections at Mount Kuaiji gathered the lords to account for their governance. From Gathering to Difficulty at the Beginning, the transition captures how communal assembly must pass through struggle before yielding fruit. The one who prepares through self-cultivation earns recognition even amid the chaos of founding a new order.

View Hexagram 3

Hexagram 45 → Hexagram 4: Youthful Folly

Changing lines: 2, 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 4

置筐失筥,輪破无輔。家伯為政,病我下土。

Setting down the basket, losing the hamper; the wheel breaks, bereft of its hub. Jia Bo governs the state; he sickens our lowly soil.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to water beneath the mountain, where youthful folly obscures sound judgment. Baskets are placed but storage bins lost; the wheel breaks and its support is gone. Jia Bo governs the state, sickening the land below. Jia Bo appears in the Shijing's 'Shi Yue Zhi Jiao' ode as one of the corrupt officials under King You of Zhou, listed alongside Huang Fu and others whose maladministration brought the Western Zhou to ruin. When those who gather power are incompetent, every practical apparatus fails: containers lose their contents, vehicles lose their wheels. From Gathering to Youthful Folly, the assembly of the wrong people around power leads to governance as blind as a spring emerging beneath a mountain, groping in darkness.

View Hexagram 4

Hexagram 45 → Hexagram 5: Waiting

Changing lines: 1, 2, 3, 4

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 5

機言不發,頑不能達。齊魯為仇,亡我葵丘。

The mechanism's words go unspoken; the stubborn cannot break through. Qi and Lu become enemies; they destroy our alliance at Kuiqiu.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into water above heaven, a gathering that must wait. The crucial word is not spoken; the obstinate cannot break through. Qi and Lu become enemies, and the assembly at Kuiqiu is lost. The Kuiqiu covenant of 651 BC was Duke Huan of Qi's greatest diplomatic triumph, gathering the feudal lords to affirm Zhou authority. Yet the verse implies its unraveling: when proper communication fails and rigidity replaces diplomacy, the alliance fractures. Qi and Lu, despite their proximity and intermarriage, repeatedly fell into mutual hostility. From Gathering to Waiting, the message is pointed: even a grand assembly dissolves when the right moment for speaking passes unheeded, leaving everyone stranded beneath gathering clouds.

View Hexagram 5

Hexagram 45 → Hexagram 6: Conflict

Changing lines: 2, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 6

亡錐失斧,公輸无輔。抱其彝器,適君子處。

Losing the awl and axe; Gongshu is without aid. Clutching his ritual vessels, he goes to where the noble man dwells.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth yields to heaven moving contrary to water, the image of Conflict. The awl is lost, the axe gone: Gongshu Ban himself is left without tools. Yet rather than despairing, he grasps his ritual vessels and goes to where the worthy lord resides. Gongshu Ban, better known as Lu Ban, is the patron saint of Chinese carpentry, yet even the supreme craftsman is helpless without his instruments. The verse pivots: stripped of practical means, he carries what truly matters, the sacred bronzes, the symbols of legitimacy and civilizational continuity, to a worthy patron. From Gathering to Conflict, the transformation suggests that when collective resources scatter, one must discern what to preserve and seek proper arbitration rather than cling to lost tools.

View Hexagram 6

Hexagram 45 → Hexagram 7: The Army

Changing lines: 2, 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 7

家在海隅,橈短深流。伯氏難行,无目以趨。

Home lies at the sea's edge; the oar is short, the current deep. The elder brother struggles to proceed; without eyes, he gropes his way.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into water hidden within the earth, the disciplined mass of the Army. A household stands at the sea's edge, but the oars are short and the current runs deep. The elder brother cannot travel, for he has no eyes to see the way. The verse paints isolation compounded by incapacity: living at the remote coast, equipped with inadequate tools, led by someone who lacks vision. From Gathering to the Army, the transformation underscores that marshaling collective force requires both able leadership and proper equipment. A blind commander with short oars on a deep current is the anti-image of the Army's ideal: disciplined water contained within earth, channeled by a clear-sighted general. When gathering lacks direction, it becomes mere stranding.

View Hexagram 7

Hexagram 45 → Hexagram 8: Holding Together

Changing lines: 4

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 8

德施流行,利之四鄉。雨師洒道,風伯逐殃。巡狩封禪,以告成功。

The imperial chariot tours the fields — a hundred flowers bloom. Wherever it passes, pestilence is buried. The river clears, the sea calms, fish and dragons dance — all under heaven return their hearts, calling "ten thousand years!"

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to water above earth, where Holding Together unites all under one. The original verse reads: virtue flows and spreads, bringing benefit to all four quarters. The Rain Master sprinkles the road, the Wind Earl drives out pestilence. The sovereign completes a grand inspection and performs the feng and shan sacrifices to announce his achievements to heaven. This is the image of imperial virtue radiating outward, nature itself cooperating with the ruler's moral authority. From Gathering to Holding Together, the transformation is seamless: the assembled community coheres into genuine allegiance. What was merely proximate becomes organically bonded, as the sovereign's virtue compels not submission but willing union.

View Hexagram 8

小畜

Hexagram 45 → Hexagram 9: Small Taming

Changing lines: 1, 2, 3, 4, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 9

筐傾筥覆,喪我公粒。簡伯无禮,太師正食。

The basket tips, the hamper overturns; we lose our lord's grain. Jian Bo shows no propriety; the Grand Preceptor corrects the rations.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to wind riding above heaven, where small accumulation meets great force. The baskets tip and overturn, spilling the lord's grain. Jian Bo lacks propriety, and the Grand Musician corrects the meal ceremony. The verse depicts ritual order disrupted: food containers upset, provisions lost, a minister behaving improperly at a formal occasion. The Grand Musician (Taishi) stepping in to correct the feast protocol reflects the ancient practice where court musicians enforced ritual propriety at state banquets. From Gathering to Small Taming, the transformation shows how even modest restraining influence can redirect what has gone awry. When the gathered feast descends into impropriety, gentle correction, like wind over heaven, restores order without force.

View Hexagram 9

Hexagram 45 → Hexagram 10: Treading

Changing lines: 1, 2, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 10

泥滓污辱,棄捐溝瀆。為眾所笑,終不顯祿。

Mired in filth and disgrace, cast aside into ditch and gutter. Mocked by the multitude, he never attains a prominent post.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into heaven above the lake, where one treads carefully but the ground is already fouled. Mud and filth bring humiliation; the discarded one is cast into ditches and gutters. Laughed at by the crowd, one never attains honor or office. The verse is unrelenting in its bleakness: a person dragged through mire, abandoned in drainage channels, publicly mocked. No specific historical allusion is named; instead the imagery is archetypal social disgrace. From Gathering to Treading, the transformation carries dark irony: Treading speaks of walking upon the tiger's tail with proper conduct, but here the ground itself is contaminated. When an assembly turns hostile, the individual who falls from favor finds that even careful steps cannot avoid the filth others have made.

View Hexagram 10

Hexagram 45 → Hexagram 11: Peace

Changing lines: 1, 2, 3, 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 11

獮猴兔走,腥臊少肉。漏卮承酒,利无所得。

Monkeys hunt, hares flee; rank and foul, with little meat. A leaking cup receives wine; profit is nowhere to be found.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to earth above heaven, the grand interchange of Peace. Yet this verse inverts the auspice entirely. The autumn hunt yields only monkeys and hares, foul-smelling and lean on meat. A leaking goblet receives wine but cannot hold it. Profit vanishes, nothing is gained. The imagery is of diminished returns: the hunt captures only the least desirable prey, and the vessel that should preserve abundance is broken. From Gathering to Peace, the irony cuts deep. Peace depends on heaven and earth exchanging freely, yet here every exchange leaks away. What is gathered dissipates through defective containers, and what is caught barely nourishes. Abundance in name conceals poverty in fact.

View Hexagram 11

Hexagram 45 → Hexagram 12: Standstill

Changing lines: 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 12

鹿畏人藏,俱入深谷。命短不長,為虎所得,死於牙腹。

The deer, fearing men, hides; together they plunge into the deep valley. Its fate cut short; seized by the tiger, it dies between fang and belly.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into heaven above earth, where communication ceases and Standstill prevails. A deer, fearing hunters, hides deep in the valley, but its life is short. The tiger finds it and devours it, death between fang and belly. The gathered community offers no protection when predator and prey inhabit the same space. The deer's retreat into the valley mirrors the futility of withdrawal without strength: deeper concealment only delays the inevitable. From Gathering to Standstill, the transformation is lethal: when heaven and earth cease exchanging, the weak are trapped in enclosed spaces with their destroyers. The deer that flees into the gorge has gathered itself into the tiger's hunting ground.

View Hexagram 12

同人

Hexagram 45 → Hexagram 13: Fellowship

Changing lines: 1, 3, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 13

南山蘭芝,君子所有。東家淑女,生我玉寶。

On the southern mountain, orchid and lingzhi; these belong to the noble man. The virtuous woman of the eastern house gives birth to my jade treasure.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to heaven with fire, the open fellowship of kindred spirits. On the southern mountains grow orchid and lingzhi, treasures claimed by the noble lord. From the house to the east comes a virtuous woman who bears a jade-like child. The verse radiates felicity: rare botanical symbols of moral excellence pair with the auspicious union of worthy families. Orchid and lingzhi on the southern slope echo the Shijing tradition of gathering fragrant herbs as emblems of virtue. From Gathering to Fellowship, the transformation shows how genuine communal assembly naturally produces harmony between families. The gathered community becomes the matchmaker, connecting excellence with excellence, producing something precious from the union.

View Hexagram 13

大有

Hexagram 45 → Hexagram 14: Great Possession

Changing lines: 1, 2, 3, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 14

左指右揮,邪佞侈靡。執節无良,靈君以亡。

Pointing left, commanding right; crooked flattery and wanton excess. Holding the tally without virtue; the spirit-lord is thereby undone.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into fire blazing in heaven, Great Possession mismanaged. The left hand points, the right hand waves; flattery and extravagance run unchecked. Those entrusted with the seal of authority lack integrity, and the lord of Ling perishes. The title 'Lord Ling' frequently denotes rulers who met violent ends due to corrupt courts: Duke Ling of Chen was assassinated amid scandal, Duke Ling of Jin was killed after plotting against his own minister. The verse condemns governance by spectacle, where advisors gesture grandly but accomplish nothing of substance. From Gathering to Great Possession, accumulated wealth becomes a stage for parasites. Fire in heaven should illuminate and judge, but when flatterers surround it, brilliance is wasted on display rather than discernment.

View Hexagram 14

Hexagram 45 → Hexagram 15: Modesty

Changing lines: 3, 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 15

鬱怏不明,為濕所傷。眾陰群聚,共奪日光。

Gloomy and unclear; harmed by dampness. The massed yin gathers together, jointly stealing the sun's light.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to earth concealing a mountain, the deep humility of Modesty. The air hangs damp and dark, injured by pervasive moisture. A crowd of yin forces gathers, together stealing the sun's light. The verse reads as a cosmic inversion: assembled dark energies smother illumination. The gathered yin is not evil in itself but becomes oppressive when it overwhelms yang entirely, blocking warmth and clarity. From Gathering to Modesty, the transformation reveals how collective humility can tip into collective suppression. When the mountain hides entirely within the earth, even its stabilizing strength becomes invisible. What should be tempering and grounding instead suffocates, and the sun, the ruler's moral clarity, is extinguished by sheer accumulated dampness.

View Hexagram 15

Hexagram 45 → Hexagram 16: Enthusiasm

Changing lines: 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 16

穿鼻繫棘,為虎所拘。王母祝禱,禍不成災,突然脫來。

Nose pierced, bound with thorns, held captive by the tiger. The Queen Mother prays and entreats; disaster does not become calamity, and suddenly it breaks free.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to thunder rising from the earth, the joyful release of Enthusiasm. A beast is pierced through the nose and tethered to thorns, held captive by a tiger. But the Queen Mother offers prayers, and disaster does not become catastrophe; suddenly the captive breaks free. The Queen Mother (Wang Mu) likely refers to the Queen Mother of the West, guardian of celestial blessing and longevity, whose intercession can reverse mortal peril. From Gathering to Enthusiasm, the transformation is dramatic rescue: what was bound is loosed, what was trapped erupts into movement. Thunder breaking from the earth mirrors the captive's sudden liberation, as though the ground itself refuses to hold what has been unjustly restrained.

View Hexagram 16

Hexagram 45 → Hexagram 17: Following

Changing lines: 1

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 17

貧鬼守門,日破我盆。毀甖傷釭,空虛无子。

The ghost of poverty guards the gate, daily breaking my basin. Smashing the jar, cracking the lamp; empty and hollow, without issue.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to thunder within the lake, where Following should bring joy but here brings only loss. A poverty ghost guards the gate, daily smashing the household pots. Jars shatter and lamps break; the house stands empty with no heir. The 'poverty ghost' (pin gui) is a folk belief from Han dynasty popular religion: a malevolent household spirit that causes destitution by destroying domestic goods. Each vessel broken is another fragment of household prosperity gone. From Gathering to Following, the transformation is perverse: what follows this household is not fortune but a persistent curse. The gathered community becomes the venue for systematic destruction, as though the very act of assembly attracts ruin rather than repelling it.

View Hexagram 17

Hexagram 45 → Hexagram 18: Work on the Decayed

Changing lines: 2, 3, 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 18

襄王叔帶,鄭人是賴。莊公卿士,皇母憂苦。

King Xiang and Shu Dai; the men of Zheng are the ones relied upon. Duke Zhuang's chief minister; the queen mother grieves in anguish.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into mountain above wind, the corruption that festers beneath the surface. King Xiang of Zhou and his brother Prince Dai, who relied on the people of Zheng. Duke Zhuang's chief minister and the queen mother's bitter worry. Prince Dai, favored by Queen Hui, conspired with the Di barbarians to overthrow King Xiang in 636 BC, forcing the king to flee to Zheng. The Zheng state became entangled as both refuge and enabler. From Gathering to Work on the Decayed, the transformation exposes how familial gathering curdles into factional rot. Mountain over wind: decay brews unseen beneath the still surface, as royal siblings, ministers, and foreign powers form toxic alliances that corrode the Zhou house from within.

View Hexagram 18

Hexagram 45 → Hexagram 19: Approach

Changing lines: 1, 2, 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 19

昭君死國,諸夏蒙德。異類既同,宗我王室。

Zhao Jun dies for her country; the many Xia inherit her virtue. The foreign peoples now united, they honor our royal house.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to earth above the lake, the sovereign's Approach. The lady of Zhao dies for the state, and the Xia peoples receive her virtue. Different peoples are unified, and all honor the royal house. Wang Zhaojun, the Han court lady who volunteered to marry the Xiongnu chanyu in 33 BC, is one of the Four Beauties of Chinese history. Her sacrifice secured peace on the northern frontier for decades. The verse frames her death abroad as a gift to the nation, her personal loss becoming collective benefit. From Gathering to Approach, the transformation shows how one person's sacrifice can extend the sovereign's reach: the ruler approaches the distant peoples not through armies but through the virtue embodied in Zhaojun's willing departure.

View Hexagram 19

Hexagram 45 → Hexagram 20: Contemplation

Changing lines: 4, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 20

冬藪枯腐,常風於道。蒙被塵埃,左右勞苦。

Winter marshes, withered and rotten; a constant wind upon the road. Shrouded in dust and grime; left and right, toil and hardship.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into wind moving over the earth, the wide gaze of Contemplation. A winter marsh stands withered and decayed; constant wind blows along the road. Travelers are blanketed in dust, laboring left and right without respite. The scene is one of exhausted observation: a desolate landscape where the wind that should bring fresh perspective instead brings only dust and weariness. The winter marsh, stripped of its summer vitality, offers nothing to gather. From Gathering to Contemplation, the transformation reveals the cost of surveying barren terrain. Wind over earth sees everything but finds nothing worth gathering. Those who travel this road are worn down by the very breadth of what they must witness, observing decay without the power to restore it.

View Hexagram 20

噬嗑

Hexagram 45 → Hexagram 21: Biting Through

Changing lines: 1, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 21

六爻既立,神明喜告。文定吉祥,康叔受福。

The six lines are established; the spirits gladly announce their counsel. The pattern is fixed, auspicious and blessed; Kang Shu receives his fortune.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to fire above thunder, where Biting Through dispenses decisive justice. The six lines are established and the spirits joyfully announce the verdict. The betrothal is auspiciously decided, and Kang Shu receives his blessing. Kang Shu was King Wen's eighth son and King Wu's younger brother, enfeoffed at Wei after the Duke of Zhou suppressed the Three Monitors rebellion. The Duke of Zhou composed the Kang Gao, Jiu Gao, and Zi Cai chapters of the Book of Documents to guide him. The phrase 'wen ding' refers to the formal betrothal divination that confirms a marriage. From Gathering to Biting Through, the assembled community finds clarity through proper ritual adjudication, cutting through confusion to establish legitimate bonds.

View Hexagram 21

Hexagram 45 → Hexagram 22: Grace

Changing lines: 1, 3, 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 22

泣涕長訣,我心不快。遠送衛野,歸寧无子。

Weeping tears in long farewell; my heart knows no ease. Escorted far into the wilds of Wei; returning in peace, without child.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into mountain over fire, the surface beauty of Grace concealing sorrow beneath. Tears fall in a long farewell; the heart finds no ease. The beloved is escorted far to the wilds of Wei, and returning to her parents' home there is no child. The verse reads as a poignant marriage lament, likely echoing the Shijing tradition of women sent to distant states through political marriage. The journey to Wei, the tearful parting, and the childless return all suggest a union that failed to produce an heir, the worst outcome for a political bride. From Gathering to Grace, the transformation exposes how ornamental beauty can mask emotional desolation. The mountain adorned with firelight looks splendid from afar, but close up the fire is grief.

View Hexagram 22

Hexagram 45 → Hexagram 23: Splitting Apart

Changing lines: 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 23

三宿无主,南行勞苦。東里失利,喪其珍寶。

Three nights without a host; southward travel brings only toil. In the eastern quarter, profit is lost; gone are all precious treasures.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to mountain resting upon earth, Splitting Apart. Three nights without a host, traveling south in exhaustion. In the eastern quarter profits are lost, and precious treasures vanish. The verse describes a traveler stripped of everything: no shelter, no gains, no possessions. The 'three nights without a host' echoes the ritual rule that a dismissed minister must not find lodging within three days of leaving his state, a mark of thoroughgoing exile. From Gathering to Splitting Apart, the transformation is devastating: what was gathered is peeled away layer by layer. The mountain attached to earth slowly erodes from the top, and here every support, host, profit, treasure, is stripped in sequence until nothing remains but bare ground.

View Hexagram 23

Hexagram 45 → Hexagram 24: Return

Changing lines: 1, 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 24

大斧破木,讒佞敗國。東間梁王,禍及三子。晉人亂邑,懷公出走。

The great axe splits the timber; slander and flattery ruin the state. In the east, King Liang is betrayed; disaster reaches his three sons. The men of Jin throw the city into chaos; Duke Huai flees in exile.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to thunder returning within the earth, the first stirring of Return. A great axe splits the timber; slander and sycophancy ruin the state. The verse names specific disruptions: intrigue at the court of the King of Liang brings disaster upon three sons, and the people of Jin throw the capital into turmoil, forcing Duke Huai to flee. Duke Huai of Jin, son of Duke Hui, was placed on the throne with Qin support but proved intractable, refusing to honor the agreement to return hostages. When Chong Er returned with Qin's backing, Duke Huai fled north and was killed. From Gathering to Return, the return journey begins with violence: the old order must be axed apart before the single yang line can re-enter the earth.

View Hexagram 24

无妄

Hexagram 45 → Hexagram 25: Innocence

Changing lines: 1, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 25

乘風上天,為時服軒。周旋萬里,无有患難。

Riding the wind, ascending to heaven, serving the age in a canopied chariot. Circling ten thousand li, free of peril or hardship.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to thunder moving beneath heaven, the unstoppable Innocence of natural momentum. Riding the wind, one ascends to heaven, serving the age as a grand chariot. Circling ten thousand li, there is no hardship or danger. The verse is pure exhilaration: effortless flight, universal service, boundless range without peril. No historical allusion is named; the imagery evokes the Daoist ideal of the perfected sage riding cosmic winds, as in Zhuangzi's description of Liezi. From Gathering to Innocence, the transformation reveals what becomes possible when assembly aligns with heaven's own movement. Thunder under heaven moves all things without ulterior motive; similarly, one who rides the wind serves spontaneously, covering vast distances without the friction that conscious striving creates.

View Hexagram 25

大畜

Hexagram 45 → Hexagram 26: Great Taming

Changing lines: 1, 2, 3, 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 26

大樹百根,北與山連。文君作人,受福萬年。

The great tree with a hundred roots joins the mountain to the north. Lord Wen raises men of worth; receiving blessings for ten thousand years.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into heaven stored within the mountain, the Great Taming of accumulated wisdom. A great tree with a hundred roots connects northward to the mountain range. King Wen cultivates the people, receiving blessings for ten thousand years. The hundred-rooted tree is a powerful emblem of deeply established foundation: roots spread wide and anchor firmly, drawing nourishment from the mountain itself. King Wen of Zhou, who laid the moral and institutional foundations of the Zhou dynasty during his long preparation at Qi, embodies patient accumulation. From Gathering to Great Taming, the transformation shows how surface congregation deepens into enduring structure. The lake upon earth becomes heaven within the mountain: what was gathered is now stored, preserved, and compounded across generations.

View Hexagram 26

Hexagram 45 → Hexagram 27: Nourishment

Changing lines: 1, 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 27

陽伏在下,陰制祐福。生不逢時,潛龍隱處。

Yang lies hidden below; yin controls its blessing. Born out of season, the hidden dragon conceals itself.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to mountain above thunder, the stillness of Nourishment. Yang lies hidden below; yin controls above, bestowing protective blessing. Born at the wrong time, the hidden dragon stays concealed. The verse directly invokes the Qian hexagram's first line, 'the hidden dragon does not act,' transposing it into a context of suppression: yang energy exists but is kept beneath yin dominance. This is not destruction but enforced patience, a nourishing containment. From Gathering to Nourishment, the transformation reframes assembly as sustenance through restraint. The mountain's still jaw above and the thunder's dormant energy below form the image of careful feeding: the dragon does not emerge because the season has not yet arrived, and premature action would waste what has been gathered.

View Hexagram 27

大過

Hexagram 45 → Hexagram 28: Great Exceeding

Changing lines: 2, 3

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 28

亂頭多憂,搔虱生愁。膳夫仲尹,使我无聊。

Tangled hair and many worries; scratching lice breeds sorrow. The steward Zhong Yin leaves me in wretched tedium.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to the lake submerging wind, the extreme pressure of Great Exceeding. Disheveled hair and many worries; scratching at lice breeds only more anxiety. The provisioner Zhong Yin makes life unbearable. The 'shanfu' was the official in charge of royal meals, and Zhong Yin appears in the Shijing's 'Shi Yue Zhi Jiao' among the corrupt officials of King You's court, listed as the meal steward alongside Jia Bo the palace steward. When even the person responsible for daily sustenance becomes an oppressor, anxiety becomes inescapable. From Gathering to Great Exceeding, the ridgepole bends under accumulated weight. The gathered community's own internal functionaries, those meant to nourish, instead drain and torment, pushing the structure past its bearing capacity.

View Hexagram 28

Hexagram 45 → Hexagram 29: The Abysmal Water

Changing lines: 2, 4

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 29

江河淮海,天之都市。商人受福,國家富有。

Ten thousand sails converge on the harbor; masts stand thick as a forest. Salt and fish fill the market; gold and jade overflow from every door.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into doubled water, the Abysmal depths of flowing commerce. The original verse reads: the Yangtze, the Yellow River, the Huai, and the sea are heaven's great marketplaces. Merchants receive blessings, and the state grows wealthy. These four waterways, the ancient Four Great Rivers, constituted the arterial network of Han dynasty commerce. Where water converges, trade converges; where trade converges, wealth accumulates. The verse celebrates the natural synergy between hydrology and economy. From Gathering to the Abysmal, the transformation shows gathering refined into flow: the still lake upon earth becomes coursing water upon water. What was static assembly becomes dynamic circulation, and the gathered community prospers precisely because it keeps moving.

View Hexagram 29

Hexagram 45 → Hexagram 30: The Clinging Fire

Changing lines: 1, 3, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 30

泰山幽谷,鳳凰游宿。威儀有序,可以來福。

In the hidden valley of Mount Tai, the phoenix roams and roosts. Bearing dignity and proper order, it may summon blessings.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to doubled fire, the radiant Clinging. Mount Tai's secluded valley shelters the phoenix at rest. Dignity and ceremony are properly ordered, and through them blessings arrive. Mount Tai, the eastern sacred peak, is the site of the feng and shan imperial sacrifices. The phoenix roosting in its hidden valley suggests supreme virtue dwelling in the most sacred landscape, present but not yet displayed. When protocol aligns with inner worth, the result is magnetic: blessing comes naturally. From Gathering to the Clinging, the transformation is one of illumination. What the lake gathered in darkness upon the earth now blazes forth as doubled fire. The phoenix emerges from its valley to shine, and proper ceremony becomes the vehicle for that radiance.

View Hexagram 30

Hexagram 45 → Hexagram 31: Influence

Changing lines: 3

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 31

山水暴怒,壞梁折柱。稽難行旅,留連愁苦。

The embankment collapses, water floods everything; village roads become rivers. Huddled on rooftops for refuge — cries for help go unanswered.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to the lake above the mountain, the mutual Influence of Xian. The original verse reads: mountain torrents rage with violence, destroying bridges and snapping pillars. Travelers are stranded and delayed, lingering in sorrow and distress. The gathered waters that once nourished the earth have transformed into destructive floods. Bridges and pillars, the connective structures of civilization, are the first casualties. From Gathering to Influence, the transformation is paradoxical: Influence (Xian) depicts lake resting atop mountain in receptive stillness, yet here the water has become violent. The sensitivity that should enable gentle mutual response has been overwhelmed by raw hydraulic force. When gathering exceeds the landscape's capacity, even the lake-and-mountain pairing becomes catastrophic.

View Hexagram 31

Hexagram 45 → Hexagram 32: Duration

Changing lines: 2, 3, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 32

阿衡服箱,太一載行。巡時歷舍,所之吉昌。

Yi Yin yokes the chariot; Taiyi rides forth. Touring the seasons, passing through the lodges; wherever he goes, auspicious and prosperous.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to thunder above wind, the steadfast Duration of Heng. Aheng takes up the yoke of the carriage; Taiyi sets forth on his journey. Traveling through the seasons and lodging at each station, wherever he goes is auspicious and prosperous. Aheng is the title of Yi Yin, the sage minister who helped King Tang found the Shang dynasty. Taiyi (Grand Unity) is the supreme celestial deity in Han cosmology, whose ritual chariot circuits the heavens marking the seasons. The pairing of a mortal sage-minister with a cosmic deity suggests governance aligned with heaven's own rhythm. From Gathering to Duration, the assembled community finds enduring order when human administration follows celestial pattern: thunder and wind perpetually reinforce each other.

View Hexagram 32

Hexagram 45 → Hexagram 33: Retreat

Changing lines: 3, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 33

三宿无主,南行勞苦。東里失利,喪其珍寶。

The inn shuts its door, refusing lodging. Sleeping in the open at the bridgehead, listening to the water flow. The bundle is stolen — only the clothes on one's back remain. At dawn, not knowing where to turn.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to heaven above the mountain, the strategic withdrawal of Retreat. The original verse reads: three nights without a host, traveling south in labor and hardship. In the eastern quarter profits are lost, and precious treasures are gone. This identical text appears also as 45-23, suggesting a textual doubling in the Yilin corpus. The traveler is utterly dispossessed: no shelter, no commercial success, no remaining wealth. From Gathering to Retreat, the transformation is stark. When the moment to withdraw arrives, one must leave everything behind. Heaven rises above the mountain, creating distance between the noble and the small. The retreating figure has lost all material gathering but preserved the one thing that matters: the self, intact and free.

View Hexagram 33

大壯

Hexagram 45 → Hexagram 34: Great Power

Changing lines: 1, 2, 3, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 34

生无父母,出門不喜。買菽失粟,亡我大乘。

Born without father or mother; leaving the gate brings no joy. Buying beans, losing millet; gone is my great conveyance.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into thunder above heaven, the raw force of Great Power. Born without father or mother, leaving the gate brings no joy. Buying beans but losing millet, one forfeits the great carriage. The verse is a catalogue of deprivation and misjudgment: orphaned, joyless, trading down at every turn. The 'great carriage' was an official conveyance, its loss suggesting demotion or dismissal from office. Buying beans while losing millet inverts the exchange: one trades substance for something lesser. From Gathering to Great Power, the irony is cutting. Thunder above heaven should be overwhelming force, yet this person possesses nothing to empower. Great Power without foundation is merely noise, and the orphan who exits the gate has no community to marshal.

View Hexagram 34

Hexagram 45 → Hexagram 35: Progress

Changing lines: 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 35

安坐玉堂,聽樂行觴。飲福萬歲,日受無疆。

Sitting at ease in the jade hall, listening to music, passing the cup. Drinking to blessings for ten thousand years; daily receiving boundless fortune.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to fire emerging above the earth, the bright Progress of Jin. Seated peacefully in a jade hall, one listens to music and raises the goblet. Drinking in blessings for ten thousand years, receiving bounty without end each day. The jade hall is the mark of highest court privilege, where only those closest to the sovereign feast. Music accompanies wine in the ancient ritual banquet, and the phrase 'drink blessings' (yin fu) refers specifically to the ritual portion of sacrificial meat and wine shared after a state ceremony. From Gathering to Progress, the assembly becomes celebration: what was merely proximate now advances into radiant prosperity. Fire rising from the earth illuminates the feast, and the gathered community shares in the sovereign's grace.

View Hexagram 35

明夷

Hexagram 45 → Hexagram 36: Darkening of the Light

Changing lines: 1, 3, 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 36

登危入厄,四時變易。春霜變雪,物皆凋落。

Climbing into danger, entering hardship; the four seasons shift and change. Spring frost turns to snow; all things wither and fall.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into earth burying fire, the Darkening of the Light. One climbs dangerous heights and enters dire straits. The four seasons shift and change; spring frost turns to snow, and all things wither and fall. The imagery is of nature itself betraying its own rhythms: frost in spring, when warmth should prevail, followed by snowfall that kills the new growth. The seasonal order fractures, and what should nourish instead destroys. From Gathering to Darkening of the Light, the transformation buries what was visible. The light that once shone upon the gathered community is driven underground. Like King Wen imprisoned at Youli or Jizi feigning madness under the tyrant, wisdom must hide when the world inverts its natural cycles.

View Hexagram 36

家人

Hexagram 45 → Hexagram 37: The Family

Changing lines: 1, 3, 4, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 37

衣穴履穿,无以禦寒。細小貧窶,不能自存。

Clothes in tatters, shoes worn through; nothing to ward off the cold. Diminished and destitute; unable to sustain oneself.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to wind emerging from fire, the inner warmth of the Family. Yet the verse depicts its complete negation: clothes have holes, shoes are worn through, and there is no protection against the cold. Small, impoverished, and destitute, one cannot sustain oneself. Every element of domestic provision is absent: no shelter from weather, no material sufficiency, no self-reliance. From Gathering to the Family, the irony is devastating. Wind from fire should mean the household's inner warmth radiating outward as gentle influence, yet this household has nothing to radiate. The family that should be the fundamental unit of gathered strength is instead the locus of absolute deprivation, its fire extinguished, its wind carrying nothing but cold.

View Hexagram 37

Hexagram 45 → Hexagram 38: Opposition

Changing lines: 1, 2, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 38

目不可合,憂來搔足。悚惕恐懼,去其邦域。

Eyes unable to close; worry comes, he scratches his feet. Trembling with dread and fear, he departs his homeland.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into fire above the lake, the estrangement of Opposition. Eyes cannot close; anxiety comes and one scratches one's feet in agitation. Trembling with dread and fear, one flees the homeland. The verse renders insomnia as political terror: sleeplessness born not of trivial worry but of existential threat, the kind that makes a person abandon everything and run. The body language is telling: scratching the feet suggests restless pacing, a person who cannot sit still, cannot sleep, cannot remain. From Gathering to Opposition, the gathered community has become the source of danger. Fire and lake pull in opposite directions, and what once held people together now drives them apart. The homeland itself has become uninhabitable.

View Hexagram 38

Hexagram 45 → Hexagram 39: Obstruction

Changing lines: 3, 4

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 39

齎貝贖狸,不聽我辭。繫於虎鬚,牽不得來。

The net tears, the fish escapes; scooping water with a bamboo basket. Exhausting all one's cunning — returning empty-handed.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to water above the mountain, the impassable Obstruction. The original verse reads: bringing cowrie shells to ransom a wildcat, but it will not heed my words. Tied to the tiger's whiskers, one pulls but cannot make it come. The image is of futile negotiation with dangerous forces: offering payment to retrieve something from a predator, then physically grappling with the tiger itself. Every effort is wasted, every stratagem fails. From Gathering to Obstruction, the transformation reveals the limits of assembly when the obstacle is immovable. Water pooled atop a mountain cannot flow downward; the gathered resources cannot be deployed against an opponent that simply refuses to engage. The wise response to Obstruction is to turn inward and cultivate virtue, not to pull harder on the tiger's whiskers.

View Hexagram 39

Hexagram 45 → Hexagram 40: Deliverance

Changing lines: 2, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 40

伯夷叔齊,貞廉之師。以德防患,憂禍不存,聲芳後時。

Bo Yi and Shu Qi, masters of purity and integrity. By virtue they guard against calamity; worry and misfortune do not endure, and their renown perfumes later ages.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to thunder above water, the liberating release of Deliverance. Boyi and Shuqi, paragons of integrity and purity, serve as moral teachers for all. Through virtue they guarded against calamity, and worry and misfortune ceased to exist; their fragrant reputation endures for ages to come. The two brothers of Guzhu refused to eat the grain of Zhou, choosing death on Mount Shouyang over compromise. Their famine was voluntary, their principle absolute. From Gathering to Deliverance, the transformation reveals an unexpected liberation: by refusing to gather with the new regime, Boyi and Shuqi freed themselves from moral contamination. Thunder and rain clear the air, and what remains after the storm is not wealth or power but an untarnishable name.

View Hexagram 40

Hexagram 45 → Hexagram 41: Decrease

Changing lines: 1, 2, 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 41

張王子季,爭財相制。商君頑嚚,不知所申。

The lords Zhang, Wang, and Ji contend for wealth, each constraining the other. Lord Shang is stubborn and unyielding; he knows not where to plead his case.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to mountain above the lake, the painful Decrease. The Zhang princes and the Ji clan fight over wealth, restraining one another. Lord Shang is obstinate and unreasonable, unable to find anyone to plead his case. The verse names factional strife among noble clans and invokes Shang Yang, the Legalist reformer of Qin who enriched the state through ruthless law but made so many personal enemies that when his patron Duke Xiao died, he was torn apart by chariots. From Gathering to Decrease, the transformation is one of subtraction through conflict. What the community gathered is consumed by infighting, and the reformer's rigidity, which once built, now isolates him completely. The mountain takes from the lake below, draining the very assembly it sits upon.

View Hexagram 41

Hexagram 45 → Hexagram 42: Increase

Changing lines: 1, 4, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 42

長城既立,四夷賓服。交和結好,昭君受福。

The Long Wall stands complete; the four barbarian peoples submit. They exchange peace and bind friendship; Zhao Jun receives her blessing.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to wind and thunder, the expanding Increase. The Long Wall stands completed, and the four barbarian peoples submit. Harmonious treaties are sealed, and Zhaojun receives her blessings. The Long Wall here refers to the frontier defenses that secured China's borders, while Wang Zhaojun's marriage alliance with the Xiongnu brought decades of peace. The verse pairs military infrastructure with diplomatic marriage, two complementary strategies for managing relations with northern peoples. From Gathering to Increase, the transformation shows how assembly amplifies when both hard and soft power align. Wind and thunder reinforce each other: the wall provides structure while the marriage alliance provides goodwill, and together they increase the security of the entire realm.

View Hexagram 42

Hexagram 45 → Hexagram 43: Breakthrough

Changing lines: 1, 2, 3

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 43

千歡萬悅,舉事為決。獲受嘉慶,動作有得。

A thousand joys, ten thousand delights; all undertakings brought to fruition. Receiving glad blessings and good fortune; every action yields its reward.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to the lake rising above heaven, the decisive Breakthrough. A thousand joys and ten thousand delights; every undertaking meets with resolution. Receiving auspicious blessings and celebrations, every action yields gain. The verse is pure positive momentum: joy compounding into decisive action, action producing results, results generating more joy. No historical allusion is invoked; the language is generic divinatory felicity pushed to its maximum register. From Gathering to Breakthrough, the gathered energy reaches critical mass and erupts upward. The lake ascending above heaven is water breaking through the last barrier, and the thousand joys reflect the collective exhilaration of a community whose gathered potential finally discharges into achievement.

View Hexagram 43

Hexagram 45 → Hexagram 44: Coming to Meet

Changing lines: 2, 3, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 44

種一得十,日益有息。仁政獲民,四國睦親。

Plant one, harvest ten; daily increasing with gain. Benevolent governance wins the people; the four states dwell in friendly kinship.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to heaven beneath wind, the unexpected Coming to Meet. Plant one seed, harvest ten; daily the return increases. Benevolent governance wins the people, and four neighboring states become close kin. The verse celebrates the multiplier effect of virtuous rule: small inputs yield exponential returns, and moral authority radiates outward to bring distant peoples into friendly alliance. The 'four states becoming kin' echoes the Confucian ideal of extending family bonds into political harmony. From Gathering to Coming to Meet, the transformation is natural attraction: wind beneath heaven spreads the sovereign's proclamation to all directions. What was gathered through effort now comes of its own accord, as benevolence creates the conditions for encounter rather than forcing it.

View Hexagram 44

Hexagram 45 → Hexagram 45: Gathering Together

No changing lines — the hexagram is unchanged

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 45

蒙慶受福,有所獲得。不利出城,病人困棘。

Receiving blessings and fortune, there are gains to be had. Yet it is ill to venture beyond the walls; the sick man is trapped among thorns.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth remains lake upon earth, Gathering unchanged. Blessed with grace and receiving fortune, there is something gained. But it is not favorable to leave the city walls; the sick person is trapped in thorns. The verse splits cleanly between inside and outside: within the gathered space, blessings arrive; beyond its walls, danger waits. The sick person's predicament intensifies this: illness pins one to a place even as the place itself becomes confining rather than protecting. From Gathering to itself, the transformation is stasis. The community sustains those within but cannot extend its protection beyond its own boundaries. What gathers here cannot be exported, and those who need to move find themselves held fast by the very forces that should help them.

View Hexagram 45

Hexagram 45 → Hexagram 46: Pushing Upward

Changing lines: 2, 3, 4, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 46

安子富有,東國不殃。齊鄭和親,顯比以喜。

Peaceful and prosperous; the eastern kingdom suffers no harm. Qi and Zheng are joined in friendship; manifest alliance brings joy.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to earth above wind, where wood grows steadily upward in Pushing Upward. The child of An lives in wealth, and the eastern states suffer no calamity. Qi and Zheng make peace through marriage alliance, and manifest togetherness brings joy. The verse depicts the ideal outcome of diplomatic gathering: prosperous households, untroubled states, and alliances sealed through marital bonds between Qi and Zheng, two major Spring and Autumn states that alternated between rivalry and cooperation. 'Xian bi' echoes the I-Ching hexagram Bi, 'Holding Together,' suggesting that this gathering achieves genuine solidarity. From Gathering to Pushing Upward, the assembled community rises organically, like a tree growing within the earth, its progress steady, gradual, and rooted.

View Hexagram 46

Hexagram 45 → Hexagram 47: Oppression

Changing lines: 2

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 47

九里十山,道仰峻難。牛馬不前,復反來還。

Nine li, ten mountains; the road looks upward, steep and hard. Ox and horse will not advance; they turn back and come again.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into the lake drained of water, the exhaustion of Oppression. Nine li of road cross ten mountains; the path is impossibly steep. Oxen and horses refuse to advance; one turns back and returns. The verse is a study in geographical defeat: the density of mountains, ten crammed into a nine-li stretch, creates a landscape that defeats even draft animals. Neither persistence nor brute strength can overcome terrain this hostile. From Gathering to Oppression, the transformation drains the gathering of all vitality. The lake that sat upon the earth now sits without water, its basin exposed. What was abundant becomes empty, and the gathered community, like the exhausted animals, can only retreat from what cannot be crossed.

View Hexagram 47

Hexagram 45 → Hexagram 48: The Well

Changing lines: 2, 3, 4

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 48

鳩杖扶老,衣食百口。增添壽考,凶惡不起。

The dove-staff supports the old; it clothes and feeds a hundred mouths. Adding to longevity and age; ill fortune does not arise.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to water drawn up by wind, the inexhaustible Well. A dove-headed staff supports the elderly; food and clothing sustain a hundred mouths. Longevity is extended, and no misfortune arises. The dove staff (jiu zhang) was an imperial gift to citizens over seventy in the Han dynasty, granting them special privileges. It symbolized state care for the aged, a concrete manifestation of Confucian filial governance. From Gathering to the Well, the transformation shows how communal gathering becomes institutional nourishment. The Well serves all who come to it without being depleted; similarly, a state that gathers its people properly can feed a hundred mouths, honor its elders, and sustain itself. The well's virtue lies in its reliability, not its spectacle.

View Hexagram 48

Hexagram 45 → Hexagram 49: Revolution

Changing lines: 1, 3

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 49

霧露雪霜,日暗不明,陰孽為疾,年穀大傷。

Fog and dew, snow and frost; the sun dims and gives no light. Dark forces breed affliction; the year's harvest suffers great ruin.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into fire within the lake, the volatile Revolution. Fog, dew, snow, and frost darken the sun. Yin excess breeds pestilence, and the year's harvest suffers grave damage. The verse presents a comprehensive atmospheric assault: every form of moisture, from mist to frozen precipitation, conspires to blot out the sun. The crops, dependent on sunlight, fail under this relentless siege. Yin excess manifesting as disease attacks both the human body and the agricultural body simultaneously. From Gathering to Revolution, the transformation suggests that what has accumulated must be overthrown. Fire within the lake implies mutual destruction: the old order, waterlogged and diseased, must be burned away before a new calendar can begin.

View Hexagram 49

Hexagram 45 → Hexagram 50: The Cauldron

Changing lines: 2, 3, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 50

迷行數邪,不知東西。陰強暴逆,道理不通。

Lost in wandering, straying onto crooked paths; not knowing east from west. Dark forces rage in cruel defiance; the way of reason does not prevail.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to fire above wind, the transformative Cauldron. Lost on crooked paths, one cannot tell east from west. Yin forces grow aggressive and perverse; the way of reason is blocked. The Cauldron hexagram speaks of sacred cooking, refining raw materials into offerings worthy of heaven. Yet here the raw material itself is corrupted: the traveler is lost, the moral compass broken, and dark forces dominate through violence. From Gathering to the Cauldron, the transformation exposes what happens when the wrong ingredients are gathered for the sacred vessel. Fire above wind should heat the cauldron to refine and purify, but if what enters the pot is already rotten, no amount of cooking can produce a worthy offering. Discernment before gathering is essential.

View Hexagram 50

Hexagram 45 → Hexagram 51: The Arousing Thunder

Changing lines: 1, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 51

登高上山,見王自言。信理我冤,得職蒙恩。

Climbing high, ascending the mountain; he sees the king and speaks his case. His injustice is examined and righted; he obtains his post and receives grace.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to doubled thunder, the shattering Arousing. One climbs the mountain heights and speaks directly to the king. The case is heard, the injustice corrected; official appointment is received and grace bestowed. The verse is a vindication narrative: the wronged petitioner ascends to the sovereign's presence, gains an audience, has his grievance redressed, and is rewarded with office. The mountain climb is both literal and metaphorical: reaching the king requires effort, but the effort pays off when the ruler listens. From Gathering to the Arousing, the transformation is the thunderclap of justice. Doubled thunder shakes the world into attention, and the gathered assembly parts to let the petitioner through. What was merely congregated becomes the court of appeal.

View Hexagram 51

Hexagram 45 → Hexagram 52: Keeping Still Mountain

Changing lines: 3, 4, 5, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 52

三世為德,天祚以國。封建少昊,魯侯之福。

Three generations built virtue; heaven blessed them with a kingdom. Enfeoffing and establishing Shaohao; such is the fortune of the Marquis of Lu.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to doubled mountain, the profound stillness of Keeping Still. Three generations accumulate virtue, and heaven bestows a state upon them. They are granted the domain of Shao Hao, and the Marquis of Lu receives his blessing. Shao Hao, the ancient sage-king associated with the eastern regions, had his seat at Qufu, the same site where the state of Lu was later established. The Duke of Zhou was enfeoffed at Lu, and his descendants governed it for centuries. Three generations of accumulated virtue, from King Wen through King Wu to the Duke of Zhou, earned the heavenly mandate. From Gathering to Keeping Still, the transformation reveals how sustained moral accumulation, generation after generation, solidifies into an immovable foundation.

View Hexagram 52

Hexagram 45 → Hexagram 53: Development

Changing lines: 3, 4, 6

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 53

喬木无息,漢女難得。橘柚請佩,反手難悔。

The tall tree offers no rest; the woman of Han is hard to win. She begs to wear tangerine and pomelo as pendants; but the hand once turned cannot repent.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to wind above the mountain, the gradual Development. Tall trees stand without rest; the woman of the Han River is hard to obtain. Oranges and pomelos are offered as pendants, but a hand once turned cannot undo regret. The verse weaves together botanical and romantic imagery from the Shijing tradition. The 'Han woman' recalls the poem 'Han Guang' from the Zhou Nan section, where the woman across the Han River is beautiful but unreachable. Oranges and pomelos as gifts echo the Shijing's 'You Mei' tradition of courtship tokens. From Gathering to Development, the transformation demands patience that this lover cannot sustain. The gradual advance, like a wild goose landing step by careful step, is abandoned for an impulsive gesture that cannot be retracted.

View Hexagram 53

歸妹

Hexagram 45 → Hexagram 54: The Marrying Maiden

Changing lines: 1, 2, 5

Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 54

東鄰西家,來即我謀。中告吉誠,使君安寧。

The eastern neighbor, the western household; they come to seek my counsel. The inner oracle speaks true and sincere; it brings our lord peace and ease.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into thunder above the lake, the committed union of the Marrying Maiden. Neighbors to the east and west come to seek counsel. The central pronouncement is honest and auspicious, bringing the lord peace and tranquility. The verse depicts a community in which mutual consultation produces harmony: neighbors approach for advice, the oracle speaks truthfully, and the ruler finds rest. The marriage implied by Gui Mei is not a passionate union but a structural one, binding families and communities through proper protocol. From Gathering to the Marrying Maiden, the assembled community formalizes its bonds. Thunder stirs the lake into joyful response, and what was merely gathered proximity becomes committed alliance through the ritual of consultation and honest communication.

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Hexagram 45 → Hexagram 55: Abundance

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 55

褰衣出戶,心欲北走。王孫毋驚,使我長生。

Lifting his robes, he crosses the threshold; his heart desires to flee northward. 'Prince, be not alarmed'; he grants me long life.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to thunder and fire together, the overwhelming Abundance. Lifting one's robes, one steps out the door, heart set on fleeing north. 'Prince, do not be alarmed; this will grant me long life.' The verse captures a moment of crisis that resolves into reassurance. Someone prepares to flee in panic, but a voice intervenes: stay, this apparent danger is actually salvation. 'Wang Sun' (prince/young lord) is a common address in Chu literary tradition, recalling the songs of Chu where 'Wang Sun' is called to return from the wilderness. From Gathering to Abundance, the transformation is from fearful scattering to thunderous fullness. The initial impulse to flee is checked by the realization that the gathered forces, however frightening, are in fact protective.

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Hexagram 45 → Hexagram 56: The Wanderer

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 56

三日不飲,遠水无酒。晝夜焦喉,傷鬼為咎。

Three days without drink; water is far, there is no wine. Day and night his throat burns; harmed by ghosts, he bears this affliction.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into fire above the mountain, the lonely Wanderer. Three days without a drink; distant water offers no wine. Day and night the throat burns with thirst, and haunting spirits bring misfortune. The verse is pure privation: no liquid of any kind, whether water for survival or wine for solace. The 'wound ghost' (shang gui) suggests illness or malign spiritual influence compounding the physical suffering. From Gathering to the Wanderer, the transformation strips away everything the community once provided. The Wanderer's fire atop the mountain is transient, never staying long enough to build a home. What was gathered in the lake has evaporated entirely, and the traveler's burning throat is the inverse of communal feasting: solitary thirst where shared wine once flowed.

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Hexagram 45 → Hexagram 57: The Gentle Wind

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 57

眾口銷金,愆言不驗。腐臭敗兔,入市不售。

Many mouths melt gold; false words prove untrue. A rotting, stinking hare brought to market finds no buyer.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to doubled wind, the penetrating Gentle. Mass opinion melts gold: the proverb warns that collective slander can destroy anything, even metal. Careless words fail to prove true, and a rotting, stinking rabbit brought to market finds no buyer. The 'zhong kou xiao jin' maxim appears in the Guoyu and Shiji, warning that when many mouths speak the same accusation, even the innocent are consumed. The rotten rabbit extends the metaphor: a ruined product of collective effort that nobody wants. From Gathering to the Gentle, the transformation reveals the dark side of communal pressure. Wind upon wind penetrates everywhere, and gathered opinion, once it turns hostile, insinuates itself into every crevice until reputation and value are utterly dissolved.

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Hexagram 45 → Hexagram 58: The Joyous Lake

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 58

姬冠應門,與伯爭言。東家失狗,意我不存。爭亂忘因,絕其所歡。

Ji dons the cap and mans the gate, quarreling with Bo. The eastern house loses its dog; they suspect I have no conscience. Strife and disorder, forgetting the cause; severing all former joy.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to doubled lake, the shared joy of the Joyous. Ji, wearing her ceremonial cap, stands at the gate arguing with Bo. The neighbor's dog is lost, and they suspect the household of hiding it. Quarrels flare up and forget their cause, severing what once brought joy. The verse dramatizes how trivial disputes destroy communal bonds: a marital argument at the doorway, a neighbor's lost dog sparking mutual suspicion, escalation that obliterates the original source of happiness. From Gathering to the Joyous, the irony is that doubled lakes should mean friends teaching and learning together, yet here the doubled reflection only mirrors each party's grievance. Joy requires trust, and when the gathered community turns accusatory, the lakes poison each other instead of refreshing.

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Hexagram 45 → Hexagram 59: Dispersion

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 59

祚加明德,與我周國。公劉文母,福流子孫。

Heaven's blessing descends on brilliant virtue, granting us the Zhou kingdom. Gongliu and the Cultured Mother; their fortune flows down to all descendants.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to wind above water, the dispersing clarity of Dispersion. Heaven's blessing adds to their bright virtue, bestowing it upon our Zhou state. Duke Liu and King Wen's mother: their blessings flow down to all descendants. Duke Liu (Gong Liu) was the Zhou ancestor who led his people from Tai to Bin, restoring the agricultural legacy of Lord Millet. 'Wen Mu' refers to Tai Ren or Tai Si, the virtuous mothers of the Zhou royal line, whose moral cultivation shaped the dynasty's founders. From Gathering to Dispersion, the transformation is paradoxically constructive: the gathered virtue of ancestors disperses outward as blessing, like wind spreading across water. What one generation concentrates, the next distributes.

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Hexagram 45 → Hexagram 60: Limitation

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 60

針頭刺手,百病瘳愈。抑按捫灸,死人復起。

The needle pricks the hand; a hundred ailments are cured. Pressing, palpating, applying moxa; the dying man rises again.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into water above the lake, the measured Limitation. A needle pricks the hand, and a hundred ailments are cured. With pressing, palpating, and applying moxibustion, even the dead can be revived. The verse celebrates the physician's art, specifically acupuncture and moxibustion, where precisely calibrated pain produces healing. The needle's sting is limitation itself: a controlled intervention that restricts in order to restore. From Gathering to Limitation, the transformation reframes constraint as medicine. Water above the lake sets boundaries on what can flow freely, and this measured containment is exactly what heals. The acupuncturist does not remove the disease but redirects the body's gathered energies through careful, limited punctures that restore proper circulation.

View Hexagram 60

中孚

Hexagram 45 → Hexagram 61: Inner Truth

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 61

元龜象齒,大賂為寶。稽疑當否,衰微復起。

The great tortoise, the ivory of elephants; lavish tribute becomes treasure. Consulting doubt, determining right from wrong; the declining and feeble rise once more.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to wind above the lake, the transparent sincerity of Inner Truth. Great tortoise shells and elephant tusks serve as precious tribute. Divination determines what is right and wrong, and from decline a revival begins. The yuan gui, the great turtle shell, was the most valued instrument of Shang and Zhou divination, while elephant ivory was among the rarest tributary goods from the southern regions. Together they represent the full apparatus of legitimate authority: divination for moral clarity and tribute for political submission. From Gathering to Inner Truth, the transformation refines assembly into genuine conviction. Wind over the lake stirs the water's surface, revealing what lies beneath. The gathered treasures are not hoarded but deployed to discern truth, and through honest judgment, what had withered is restored.

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小過

Hexagram 45 → Hexagram 62: Small Exceeding

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 62

故室舊廬,消散无餘。不如新創,可以樂居。

The old house, the former dwelling; dissolved and scattered, nothing remains. Better to build anew; a fit place for joyful habitation.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth transforms into thunder above the mountain, the modest Small Exceeding. The old house and former dwelling have dissolved and nothing remains. Better to build anew, creating a place fit for happy habitation. The verse is pragmatic rather than nostalgic: the ancestral home is beyond repair, and clinging to it only delays the necessary fresh start. The counsel is to exceed the small, to go slightly beyond the conventional attachment to old structures and create something that actually works. From Gathering to Small Exceeding, the transformation acknowledges that sometimes what has been gathered must be released. The thunder above the mountain calls for action that slightly exceeds the norm: not revolutionary overthrow but practical rebuilding, letting go of what is irrecoverable in favor of something livable.

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既濟

Hexagram 45 → Hexagram 63: After Completion

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 63

老狐多態,行為蠱怪。驚我主母,終无咎悔。

The old fox has many guises; its behavior is strange and uncanny. It startles my lady and mistress; yet in the end, no blame or regret.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to water above fire, the delicate balance of After Completion. An old fox, full of tricks, behaves in bizarre and bewitching ways. It startles the lady of the house, but in the end there is no blame or regret. The fox in Chinese folklore is a shapeshifter, an embodiment of cunning and illusion. 'Old fox, many guises' warns of a seasoned deceiver, yet the outcome is surprisingly benign: the mistress is frightened but suffers no real harm. From Gathering to After Completion, the transformation achieves equilibrium despite unsettling appearances. Water sits perfectly above fire in momentary balance, and though the fox's tricks disturb the surface, the underlying order holds. The key insight is that not every alarm signals genuine danger; sometimes the gathered community absorbs the shock and continues.

View Hexagram 63

未濟

Hexagram 45 → Hexagram 64: Before Completion

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Ink brush artwork for the Yilin verse on Hexagram 45 changing to Hexagram 64

愛子多材,起迹空虛。避害如神,水不能濡。

The beloved child, rich in talent, rises from humble beginnings. Avoiding harm as if guided by spirits; the water cannot wet him.

— Jiao Yanshou, Yilin (Forest of Changes), 1st century BC

Commentary

Lake upon earth gives way to fire above water, the unfinished potential of Before Completion. A beloved child, richly talented, rises from nothing and emptiness. Avoiding harm with spirit-like prescience, water itself cannot wet him. The verse describes a prodigy who seems to defy natural law: emerging from void, evading danger as if divinely guided, even water cannot touch him. This may allude to the mythic birth narratives of sages like Hou Ji, who was abandoned repeatedly yet survived every attempt to destroy him. From Gathering to Before Completion, the transformation is deliberately unfinished: the child's talents are vast but unrealized, his potential still becoming. Fire above water has not yet achieved the settled order of its reverse; everything remains in motion, and the gifted child navigates danger precisely because he has not yet solidified into a fixed position.

View Hexagram 64